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La Práctica Artística Contemporánea como Crítica a la Noción de Trabajo en Arte

机译:当代艺术实践是对艺术工作概念的批评

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Throughout history, a large number of artists have frequently approached the labor environment and work as subjects for art. However, to a lesser extent, the artistic activity itself has been problematized as labor and/or employment. Nevertheless, in recent times we have attended an in-depth debate about the easements and limitations of artistic activity and its dependence on some established power structures. The text that we develop below raises the repercussions and contradictions of some art projects, which take as a starting point or base on the relationship art/work. Through them, it is possible to notice an awareness of the artists concerning their position in the art system, revealing common practices that highlight its precarity and the lack of a regulatory framework to protect their professional activity. Each one of these ways of proceeding projects reflections and questions we think necessary to review critically since they present sharp comments about the problems we raise in our research.
机译:在整个历史中,大量艺术家经常接近劳动环境并作为艺术科目的工作。然而,在较小程度上,艺术活动本身已经有问题,作为劳动和/或就业。尽管如此,在近一次,我们已经参加了关于艺术活动的级联和局限性的深入争论及其对一些已建立的电力结构的依赖。我们开发下面的文本提出了一些艺术项目的反响和矛盾,这将作为关系艺术/工作的起点或基础。通过他们,可以了解关于他们在艺术系统中的职位的艺术家的认识,揭示了突出的常见做法,突出了它的前导和缺乏监管框架来保护他们的专业活动。这些方法中的每种方法都是我们认为有必要批评的,因为他们对我们的研究中提出的问题提出了急剧评论,所以必须批评。

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