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Transmission or ‘creative fidelity’? The institutional communicator’s role in the Church today

机译:传输或“创意保真”?机构沟通者今天在教会中的作用

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The role of the institutional communicator in the Church today has a special relevance derived from the credibility crisis suffered by this institution. A greatly increased awareness to this theme leads to the discovery of profound and essential dimensions of this role, which are discussed in this article. The focus is on the credibility of the communicator, who, on one hand is called to take full responsibility for what he says, but on the other hand speaks in the name of and through a collective subject—the Church or one of its specific constituent parts—that doesn’t always receive much appreciation from its numerous audiences; it is actually often perceived to be “biased” as an institution, it is widely opposed and criticized. An in-depth analysis regarding the role of credibility from a sociological point of view is illustrated by the application of the three roles identified by Erving Goffman—animator, author and principal—to the figure of the institutional communicator, underlining his responsibilities as communication co-leader. A comparison with the concept of translator as a mediator illuminates other characteristics of the communicator, and functions as a basis to comment on some of the virtues (both personal and professional), which he must possess, enhancing both his credibility and efficiency. The application of the concept of creative fidelity (fidélité créatrice ) from the French philosopher Gabriel Marcel, together with the interrelation between comprehension and exposition in a comprehensible manner (hermeneutics and creativity), highlights the necessity of reconsidering the importance of communication and of the communicator within the decision-making process.
机译:机构沟通者在教会中的作用今天具有源于该机构遭受的信誉危机的特殊相关性。对这一主题的意识大大提高了这一角色的深刻和基本方面,这在本文中讨论。重点是沟通者的可信度,谁一方面被称为对他所说的全部负责,但另一方面,以集体主题的名义和其特定的组成部分零件 - 并不总是从其众多受众中获得众多欣赏;实际上经常被视为“偏见”作为一个机构,它被广泛反对和批评。关于社会学观点的可信度的作用的深入分析是通过在机构沟通者的图中确定的三个角色的应用来说明了三个角色,强调了他作为沟通公司的责任-领导。与翻译概念作为调解员的概念进行比较,照亮了通信者的其他特征,并作为评论他必须拥有的一些美德(个人和专业人士)的基础,提高他的信誉和效率。从法国哲学家加布里埃尔马卡的创意保真度(Fidélitérérice)的概念在一起,以及以可理解的方式(诠释学和创造力)的理解和博览会之间的相互关系,凸显了重新考虑沟通的重要性和的必要性在决策过程中的沟通者的概述。

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