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Relation between synesthetic grapheme-color associations and the sub-types of synesthesia

机译:联音素-色关联与联觉亚型之间的关系

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Grapheme-color synesthesia is a condition in which a visual letter or character induces a specific color sensation. By taking advantage of special characteristics of the Japanese language, we have revealed involvement of several linguistic properties of graphemes (e.g., phonology, orthographical shape, meaning or concepts) in determining grapheme-color synesthesia. For example, synesthetic colors for the Japanese phonetic scripts, Hiragana and Katakana, rely on sound quality, not visual shapes of graphemes. This is revealed by a remarkable consistency between synesthetic color choices for Hiragana characters and those for their Katakana counterparts that share phonemes but which are visually dissimilar graphemes (Asano & Yokosawa, 2011). Meaning and phonology both influence synesthetic colors for logographic Kanji characters (Asano & Yokosawa, 2012). To clarify the mechanisms underlying grapheme-color synesthesia the present study examined whether the sub-type of synesthetes (i.e. projector/associator) is related to processing grapheme-color associations. Projectors report experiencing synesthetic colors in external space, whereas associators report experiencing synesthetic colors a??in the mind's eye. Seventeen Japanese grapheme-color synesthetes participated in this study. According to the questionnaire by Skelton, Ludwig, & Mohr (2009), eight subjects were classified as projectors with the remainder classified as associators. Results revealed that the sub-type of grapheme-color synesthesia affected neither the degree of grapheme-color matching consistency over time nor the overall impact size of each linguistic factor (i.e., phonology, orthographic shape, and meaning or concepts) on grapheme-color associations. Nevertheless, the Hiraganaa??Katakana color consistency effect did show slightly greater, but statistically significant, strength for associators than for projectors. These findings suggest that although these sub-types differ in how they experience synesthetic colors, the process of determining grapheme-color associations is the same for both projectors and associators. Also we discussed implications of these results for a developmental model of grapheme-color association (Asano & Yokosawa, 2013).
机译:字素色联觉是视觉字母或字符引起特定颜色感觉的情况。通过利用日语的特殊特性,我们发现了字素的几种语言特性(例如音位,正字形,含义或概念)在确定字素-颜色联觉中的作用。例如,日语注音文字平假名和片假名的合成色取决于音质,而不是字素的视觉形状。平假名字符与片假名对应的同音素(共享音素,但在视觉上是不同的字素)之间的显着一致性表明了这一点(Asano&Yokosawa,2011)。意义和语音都影响逻辑汉字字符的合成色(Asano&Yokosawa,2012)。为了阐明字素-颜色联觉的基本机制,本研究检查了同形物的亚型(即投影仪/关联器)是否与加工字素-颜色关联有关。投影仪报告在外部空间中正在经历合成色,而联想器报告在心灵的眼睛中正在经历合成色。十七个日本字素色合成物参加了这项研究。根据Skelton,Ludwig和Mohr(2009)的调查表,八名受试者被分类为放映机,其余被分类为关联人。结果表明,字素-颜色联觉的亚型既不影响字素-颜色匹配的一致性程度,也不影响每个语言因素(即音系,正字形,含义或概念)对字素-颜色的总体影响大小协会。尽管如此,与投影仪相比,平假名的片假名色彩一致性效果确实显示出稍强但具有统计学意义的强度。这些发现表明,尽管这些子类型在感受合成色方面的方式有所不同,但是确定字素-颜色关联的过程对于投影仪和关联器都是相同的。我们还讨论了这些结果对字素-颜色关联的发展模型的影响(Asano和Yokosawa,2013年)。

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