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The Ethics of Ethnographic Attraction: Reflections on the Production of the Finno-Ugric Exhibitions at the Estonian National Museum

机译:民族志吸引力的伦理学:对在爱沙尼亚国家博物馆举办的芬诺·乌格里克展览的反思

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We intend to explore the production of the Finno-Ugric exhibitions at the Estonian National Museum. Our particular aim is to reveal methodological changes of ethnographic reproduction and to contextualise the museum’s current efforts in ideologically positioning of the permanent exhibition. Through historical–hermeneutical analysis we plan to establish particular museological trends at the Estonian National Museum that have led curators to the current ideological position. The history of the Finno-Ugric displays at the Estonian National Museum and comparative analysis of international museological practices enable us to reveal and interpret different approaches to ethnographic reconstructions. When exhibiting indigenous cultures, one needs to balance ethnographic charisma with the ethics of display. In order to employ the approach of ethical attraction, curators must comprehend indigenous cultural logic while building up ethnographic representations.
机译:我们打算探索在爱沙尼亚国家博物馆的Finno-Ugric展览的制作。我们的特殊目的是揭示民族志复制方法的变化,并根据博物馆在常设展览的意识形态定位上的当前努力来进行情境化。通过历史-历史学的分析,我们计划在爱沙尼亚国家博物馆建立特定的博物馆学趋势,从而将策展人带到当前的意识形态立场。爱沙尼亚国家博物馆的芬诺·乌格里克展览的历史以及对国际博物馆学实践的比较分析,使我们能够揭示和解释民族志重建的不同方法。在展示土著文化时,需要在人种魅力与展示伦理之间取得平衡。为了采用道德吸引的方法,策展人必须在建立民族志表现形式的同时理解土著文化的逻辑。

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