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Review of Noelle Gallagher’s “Satire as Medicine in the Restoration and Early Eighteenth Century: The History of a Metaphor”

机译:回顾诺埃尔·加拉格尔(Noelle Gallagher)的“恢复和十八世纪早期的讽刺医学:隐喻的历史”

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In this focused piece, Noelle Gallagher unpacks the nuances and the development of the satire-as-medicine commonplace from 1660 to 1760, examining the work of both canonic and understudied authors as they engage with and modify this rhetoric to suit a variety of social, political, and aesthetic goals. Gallagher surveys the many uses and implications of the metaphor by lining up medical and satiric theories and showing how satirists tend to use the trope strategically, "identifying satire as a therapeutic practice sometimes in alignment with, and sometimes in opposition to, the work of contemporary medical practitioners" (18). Ultimately, she suggests that writers employ the satire/medicine commonplace not only to license potentially libelous claims (thus positioning their verbal affronts as unpleasant but necessary cures or therapies), but also to engage with a series of larger cultural debates central to both literary and medical practice, "including the clash between the ancients and the moderns, the divisions between the arts and the sciences, and the shift from a patronage-based system of production to a commercialised marketplace" (18). Gallagher suggests that this metaphor persists with such resilience across the period both because it is remarkably flexible and because it reflects the then-dominant model of health that links physical and mental states of being
机译:在这一重点文章中,诺埃尔·加拉格尔(Noelle Gallagher)揭示了1660年至1760年讽刺作为医学常识的细微差别和发展,考察了典范作者和研究不足的作者在从事和修改这种修辞以适应各种社会,政治和审美目标。加拉格尔通过梳理医学和讽刺理论并展示了讽刺主义者如何倾向于从战略上使用斜体,来调查隐喻的许多用途和含义,“将讽刺艺术确定为有时与当代作品相吻合,有时又与之相反的治疗方法。医生”(18)。最终,她建议作家们使用讽刺/医学常识,不仅要许可潜在的诽谤主张(从而将其言语侮辱定为令人不快但必不可少的疗法或疗法),而且还要进行一系列以文学和文学为中心的更大范围的文化辩论。医学实践,“包括古代人与现代人之间的冲突,艺术与科学之间的分歧,以及从以赞助人为基础的生产系统向商业化市场的转变”(18)。加拉格尔(Gallagher)认为,这种隐喻在整个时期内都具有这种韧性,这既是因为它非常灵活,又因为它反映了当时将身体和精神状态联系在一起的主要健康模式。

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