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首页> 外文期刊>Cultural Geographies >Home interiors, national identity and curatorial practice in the art photography of Simryn Gill
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Home interiors, national identity and curatorial practice in the art photography of Simryn Gill

机译:Simryn Gill的艺术摄影作品中的家庭室内装饰,民族身份和策展实践

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摘要

In cultural geography, connections between home, identity, and multi-scalar notions of belonging are well established. Intersections between interior design and national identity are linked likewise to a broader material and symbolic politics of dwelling. Through an interview with the artist, alongside analysis of two exhibits focused on the domestic landscapes of Malaysia ('Dalam', 2001) and Australia ('Inland', 2009) - the paper explores ideas about nationalism invested in the art photography of Simryn Gill. By exploring the intimate politics inherent within the creation, curatorship, and review of her work, the home emerges as an ambiguous and incomplete referent of both nationalism and self.
机译:在文化地理学中,家庭,身份和多维度归属感之间的联系已得到很好的建立。室内设计和民族身份之间的交叉点也与更广泛的材料和象征性的居住政治联系在一起。通过与艺术家的访谈,并分析了两个针对马来西亚(达拉姆(Dalam),2001年和澳大利亚(Inland),2009年)的国内景观的展览,该论文探索了投资于Simryn Gill艺术摄影的民族主义思想。 。通过探索创作,策展和作品回顾中固有的亲密政治,家庭成为民族主义和自我的含糊不清和不完整的指称。

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