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Digital Cinema Guarding the Jewels

机译:数字电影守护珠宝

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摘要

The time - only a few months ago. The new market crashed. Time to lean back? No - the train is leaving. But in which direction? At the end of the year 2002 only 120 cinemas worldwide, instead of the 1000 that had been expected, had fully installed the new digital technology. Why a special issue of Cinema Technology on this issue? Because digital cinema will happen eventually? Digital? Even Wired magazine, usually well informed on technical matters, printed the howler that digital projection is "far better" than film. Everyone seems to be waiting for Digital or Electronic Cinema. But far from the boardroom of Texas Instruments, which has nearly unlimited financial resources, there are other digital and electronic alternatives, even film-based projection technologies like IMAX(~R), 70 mm, Douglas Trumbull's Showscan, MaxiVision or other hidden resources of light-through-celluloid. Please read carefully. The future of traditional cinema is at stake.
机译:时间-仅几个月前。新市场崩溃了。该靠后背了?不-火车要走了。但是朝哪个方向呢?到2002年底,全世界只有120家电影院完全安装了新的数字技术,而不是预期的1000家。为什么要在此问题上专门发行电影技术?因为数字电影最终会发生吗?数字?即使是《连线》杂志,通常在技术问题上也很了解,甚至还大声疾呼,数字投影比电影“好得多”。每个人似乎都在等待数字或电子电影。但是,距离拥有几乎无限财务资源的德州仪器(TI)董事会不远,还有其他数字和电子替代方案,甚至包括基于胶片的放映技术,例如IMAX(〜R),70毫米,道格拉斯·特伦布尔的Showscan,MaxiVision或其他隐藏的资源。赛璐cell光。请仔细阅读。传统电影的未来正处于危险之中。

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