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DETAILS AROUND THE CORNER

机译:转角周围的细节

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Emanating an ethereal aura, the five softly shimmering rectangular structures of the Louvre Lens merge with the landscape and sky of Northern France. The incredibly light and delicate structures, created in 2012 by the founders of SANAA, Kazuyo Sejima and Ryue Nishizawa, for this outpost of the Paris museum in the Pas-de-Calais, do not aim to achieve any kind of sculptural self-representation. The sense of dematerialisation continues inside the Galerie du Temps, with no apparent supports disrupting a length of 120 metres (390 feet). Although the architecture seems to be very simple with an absolute reduction of all visible details, it involved complex constructions and intricate planning processes. While the entire world is talking about SANAA'S great achievement reflected by this architectural favourite, it is less known that the planning of detailing was carried out by Bollinger Grohmann Ingenieure based in Frankfurt.
机译:罗浮宫镜头的五种柔和闪烁的矩形结构散发出一种空灵的光环,与法国北部的景观和天空融为一体。 SANAA创始人Kazuyo Sejima和Ryue Nishizawa于2012年为Pas-de-Calais巴黎博物馆的前哨基地创建了令人难以置信的轻巧精致的结构,其目的并不是要实现任何雕塑般的自我表现。非物质感继续在临时美术馆内展开,没有明显的支撑物破坏了120米(390英尺)的长度。尽管该架构看起来非常简单,并且完全减少了所有可见的细节,但是它涉及复杂的构造和复杂的计划过程。虽然全世界都在谈论SANAA的伟大成就,但这种建筑的最爱反映了这一点,但鲜为人知的是,细节规划是由位于法兰克福的Bollinger Grohmann Ingenieure进行的。

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