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Modal analysis of the input impedance of wind instruments. Application to the sound synthesis of a clarinet

机译:管乐器输入阻抗的模态分析。在单簧管的声音合成中的应用

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This paper investigates the modal analysis of wind instruments as seen from the input of their air column. Beside the treatment of analytical models, a particular emphasis is given to the analysis of measured input impedances. This requires special care because the measurements cover only a limited frequency band and are affected by some unknown errors. This paper describes how the Prony analysis and the Least Squares Complex Exponential (LSCE) classical techniques can be used in this context and how the main pitfalls can be avoided in their application. A physically acceptable method of reconstruction of the low frequency band is proposed. A technique using fictitious points in the high frequency range is described in order to ensure the passivity of the resonator in the whole frequency band. The principles of a real-time synthesis of clarinet sounds based on the modal representation of the resonator is given as an application, with a method to efficiently handle the modal representation during the transition between fingerings.
机译:本文从风管的输入中研究了风管的模态分析。除了分析模型的处理外,还特别强调了对测量的输入阻抗的分析。这需要特别注意,因为测量仅覆盖有限的频带,并且会受到一些未知错误的影响。本文介绍了如何在这种情况下使用Prony分析和最小二乘复数指数(LSCE)经典技术,以及如何避免其应用中的主要陷阱。提出了一种物理上可接受的重建低频带的方法。描述了一种在高频范围内使用虚拟点的技术,以确保谐振器在整个频带内的无源性。基于谐振器的模态表示的单簧管声音的实时合成原理是作为一种应用给出的,该方法具有一种在指法之间过渡期间有效处理模态表示的方法。

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