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Musicians Show General Enhancement of Complex Sound Encoding and Better Inhibition of Irrelevant Auditory Change in Music: An ERP Study

机译:音乐家展示了复杂声音编码的一般提升更好地抑制了音乐中无关的听觉变化:ERP研究

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摘要

Using electrophysiology, we have examined two questions in relation to musical training – namely, whether it enhances sensory encoding of the human voice and whether it improves the ability to ignore irrelevant auditory change. Participants performed an auditory distraction task, in which they identified each sound as either short (350 ms) or long (550 ms) and ignored a change in sounds’ timbre. Sounds consisted of a male and a female voice saying a neutral sound [a], and of a cello and a French Horn playing an F3 note. In some blocks, musical sounds occurred on 80% of trials, while voice sounds on 20% of trials. In other blocks, the reverse was true. Participants heard naturally recorded sounds in half of experimental blocks and their spectrally-rotated versions in the other half. Regarding voice perception, we found that musicians had a larger N1 ERP component not only to vocal sounds but also to their never before heard spectrally-rotated versions. We, therefore, conclude that musical training is associated with a general improvement in the early neural encoding of complex sounds. Regarding the ability to ignore irrelevant auditory change, musicians’ accuracy tended to suffer less from the change in sounds’ timbre, especially when deviants were musical notes. This behavioral finding was accompanied by a marginally larger re-orienting negativity in musicians, suggesting that their advantage may lie in a more efficient disengagement of attention from the distracting auditory dimension.
机译:使用电生理学,我们研究了与音乐训练有关的两个问题–即它是否增强了人类声音的感觉编码,以及是否提高了忽略无关的听觉变化的能力。参与者执行听觉分散注意力的任务,他们将每种声音识别为短(350 ms)或长(550 ms),而忽略了声音音色的变化。声音包括说中性声音的男性和女性声音[a],以及演奏F3音符的大提琴和圆号。在某些地区,音乐声音发生在80%的试验中,而语音声音发生在20%的试验中。在其他方面,情况恰恰相反。参与者在实验块的一半中听到了自然录制的声音,而在另一半中听到了频谱旋转的声音。关于语音感知,我们发现音乐家拥有更大的N1 ERP组件,不仅包括声音,还包括他们从未听过的频谱旋转版本。因此,我们得出的结论是,音乐训练与复杂声音的早期神经编码的总体改进有关。关于忽略无关的听觉变化的能力,音乐家的准确性往往受声音音质变化的影响较小,尤其是当变体是音符时。这种行为上的发现伴随着音乐人重新定向的消极情绪略微增加,这表明他们的优势可能在于注意力从注意力分散的听觉层面更有效地脱离了。

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