论'陈调'与平湖调的关系

摘要

文章探讨三个问题,一是苏州弹词中的"陈调",即为四明南词、绍兴平湖调中的"平湖调",或是"吴人弹平湖调"中的平湖调.二是平湖调为一支古老的曲调,它的音乐特征分别是"凤点头"的结构形式,平湖调的落音较有规律和上句后均有"哎头".三是"陈遇乾说"有疑问,有学者提出"伪托"是对的,学术界可做进一步研究.%This article discusses three topics.First,the Chendiao of Suzhou tanci is the Pinghudiao of Siming nanci and Shaoxing Pinghudiao,or the so-called "Pinghudiao played by the Wu people". Second,Pinghudiao is an ancient tune with the structure of "fengdiantou",a patterned ending sound and an "aitou" after each first sentence.Third,the Chen Yu-qian theory requires further discussion.