论电影在戏剧文学改编中的时间问题——以日本影片《蜘蛛巢城》对莎士比亚戏剧《麦克白》的改编为例

摘要

The role positioning of the peasant-worker, "urban and rural marginal man" makes their leisure activity characteristics are different from traditional peasants and urban people, which are dull, vulgar and problematize. Therefore, the leisure life of the peasant-worker generates a new requirement to urban communit2;, construction. The contradiction of the trend of diversification and the long-standing single administrative organization and management models is the basic contradiction of the urban communities' management system,thereby,it's necessary to reform the management system of China's urban communities. The Government leading peasant-workers actively participate in community organizations management system model will be an effective management system model.%自电影诞生以来，由著名戏剧文学改编而成的电影作品不计其数。更有许多电影将其他民族的戏剧文本改头换面，成功地搬上了本国银幕。然而这两门时间艺术的本体又是截然不同的。以日本影片《蜘蛛巢城》对莎士比亚戏剧《麦克白》的改编为例，它的成功建立于创作者对戏剧时间与电影时间的深刻理解，以及对不同民族时间观的深入认识。正是有了这样的创作基础，才使得这样一部跨文化、跨艺术门类的改编之作，既保存了原剧作的艺术精华，同时又被赋以独具魅力的本土文化特色。