首页> 中文期刊> 《南阳师范学院学报》 >意识形态,文化商品抑或战争反思?--解析以展现“斯大林格勒战役”为题材的战争片

意识形态,文化商品抑或战争反思?--解析以展现“斯大林格勒战役”为题材的战争片

         

摘要

迄今为止,以展现“斯大林格勒战役”为题材的战争片共有五部,每一部都受到所在国家的社会环境和人文因素影响,充满了影片的独特属性。一方面,电影的艺术性和本体价值要求其远离意识形态的束缚;另一方面,电影的工业化和产业化则不会允许战争片有太过张扬的艺术个性,而是向文化商品这一属性靠拢。“斯大林格勒战役”本身有许多值得人们挖掘的题材和故事,或许我们应该深层次思考一下战争的本质,用电影语言给人们以启迪。%There are altogether five films so far featuring the Battle of Stalingrad worldwide , each interpreting the war from a unique perspective in accordance with the social environment and humanistic factors of the country in which the film was produced .On the one hand , the artistic nature and noumenal value orientation of film-making requires that films break through the shackles of ideology;and on the other hand , the industrialization and commer-cialization of films prevents film-makers from being overly individualistic and willful but rather calls on films to keep closer to their attribute of being a cultural commodity .As the Battle of Stalingrad has a lot to offer to film-makers, it is contended that ensuing films intent on featuring this war have a deeper reflection on the essence of war so as to give viewers some sort of enlightenment .

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