首页> 中文期刊> 《蚌埠学院学报》 >日本传统美学意识“物哀”与“幽玄”的对比研究

日本传统美学意识“物哀”与“幽玄”的对比研究

         

摘要

以宗教对美意识的影响为研究视角,对日本传统美意识“物哀”与“幽玄”的历史形成与文化内涵进行对比分析,以“哀”为美的“物哀”与以“寂”为底流的空寂幽玄美是带有强烈的精神主义和神秘色彩的形而上学的审美观,都以追求精神调和之美为最高目标,强调通过心的感悟达到“物心合一”的最高审美境界。%It took the religious influence on aesthetic consciousness as the research perspective to make a contrastive analysis of historical formation and cultural connotation between traditional Japanese aesthetic consciousness ,"Sentimentality"and "Profundity".Sentimentality,with "sorrow"as its beauty and pro-fundity,with "silence"as its underflow,are metaphysical aesthetics with strong spiritual and mysterious color.They both regarded the pursuit of spiritual harmony as the highest objective ,and put emphasis on heart′s perception to achieve the supreme aesthetic realm of the combination of matter and mind .

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