日本小说灾难书写存在两种模式，一是直击灾难，二是以灾难作为背景。前者并不常见，小松左京《日本沉没》着力展示人与自然的矛盾，是典型的直击灾难；后者以村上春树短篇小说集《神的孩子全跳舞》为代表，刻画了灾难中的人与自身的矛盾，比较符合主流日本小说的特色。文章以小松左京和春上村树的创作为考察对象，结合日本国民性格中的“矛盾”与“暧昧”特质对这两种模式的特色及成因进行深入剖析。%There are two kinds of model about disaster writing of Japanese novels ,One is writes disaster directly ,the other is writes disaster as the background .The former is not common ,komatsu Sakyo’ s novel Nihon Chinbotsu focus on display the contradiction between man and nature which is a typical disaster writing ;the latter take Haruki Murakami collection of short sto‐ries kami no kodomo tachi wa mina odoru as a representative ,depict the contradiction between people and themselves in the disas‐ter which conform to the features of the mainstream Japanese novels .This article based on the creation by komatsu Sakyo and Haruki Murakami as the investigation object ,combined with “contradiction” and “ambiguous” of Japanese national character to an‐alyze the characteristics and the causes of these two kinds of model .
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