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Transcending media: Adapting the dance production 'Asylum of Spoons' from stage to film.

机译:超越媒体:从舞台到电影改编舞蹈作品《勺子的庇护所》。

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摘要

This thesis presents the pre-production materials used to adapt the dance production of Asylum of Spoons (2004) from the stage into a dance film. As a successful dance film, Asylum of Spoons (2005) received a broadcast license, full financing, award nominations and international festival distribution.;This document is directed to those serious dance film creators and students who, like myself, prefer to develop personalized strategies and interpretations as opposed to standardized text-based screenplays. In deconstructing the process of creating Asylum of Spoons, I hope to have made a document that is accessible, laid out sequentially for the reader and practical to use.;In structuring my discussion, I focus on the primary documents---treatment, screenplay and shot list---and the secondary documents---storyboard, drawings, camera movement diagrams, dramatic arch and rehearsal and production schedules---used to shoot the film. I include such secondary documents in Appendices A through N. These materials are not intended as a "how-to" book on creating dance film, but rather as a case history for its creation. They offer a constructive window onto the preparations taken to create a dance film work. Also included are reflective writings that discuss, in greater depth, my process of decision making. I have selected a number of sections that were created specifically for the film and some that were adapted from stage to film, which translated into scenes. I then continue the analysis for transforming these scenes, plus a few others, from the screenplay into the shot list.
机译:本文介绍了用于将《庇护所》(2004)的舞蹈制作从舞台改编成舞蹈电影的预制作材料。作为一部成功的舞蹈电影,《庇护所》(2005年)获得了广播许可,完整的融资,奖项提名和国际电影节发行。该文件针对的是那些认真的舞蹈电影创作者和像我一样喜欢制定个性化策略的学生。和解释,而不是标准化的基于文本的剧本。在解构勺子庇护所的过程中,我希望制作一个易于访问的文档,顺序排列以供读者阅读和使用。在构建讨论时,我专注于主要文档-处理,剧本和拍摄清单-以及辅助文件-故事板,图纸,摄像机运动图,戏剧性的拱门和彩排以及制作时间表-用于拍摄电影。我将此类辅助文档包括在附录A至附录N中。这些材料并非旨在作为有关制作舞蹈电影的“方法”书,而只是作为其制作案例的历史。它们为制作舞蹈电影作品的准备工作提供了建设性的窗口。还包括一些反思性著作,它们更深入地讨论了我的决策过程。我选择了许多专门为电影创建的部分,并从舞台到电影改编成场景。然后,我继续分析将这些场景以及其他一些场景从剧本转换为镜头列表。

著录项

  • 作者

    Kaeja, Allen J. N.;

  • 作者单位

    York University (Canada).;

  • 授予单位 York University (Canada).;
  • 学科 Dance.;Cinema.
  • 学位 M.A.
  • 年度 2009
  • 页码 238 p.
  • 总页数 238
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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