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Eye of the beholder: Physical beauty in the novels of Jane Austen.

机译:情人的眼:简·奥斯丁小说中的自然美。

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摘要

The eighteenth-century novel traditionally features heroines and heroes who are beautiful and handsome. In fact, they are usually the most physically attractive characters in the novel. Austen recognizes and satirizes this prejudice for beauty in her Juvenilia. In her mature works she leaves overt sarcasm behind. However, by creating male and female characters who span the range of attractiveness, Austen diverges from established literary norms.;This dissertation draws on theories of beauty from the Greeks, eighteenth-century thinkers, and current historical, evolutionary, and feminist theorists to analyze the role of physical beauty in Austen's novels. Several facets of beauty's relation to characterization are explored: Beauty and Virtue (the human tendency to link the beautiful with the good); Sisters, Brothers, and Beauty (the role of beauty within families); Beauty and Female Competition (the marriage mart and how competition based on beauty affects women); Beauty and Male Competition (the different aspects of male attractiveness and how these attributes shape male competition and dominance hierarchies); and Beauty and Aging (the effects of eighteenth-century ideas about aging and beauty on both women and men).;An exploration of physical beauty in Austen's works reveals that, although she is influenced by both literary and social tradition, her Christian worldview also influences her presentation of physical beauty. She appreciates beauty but assigns no moral value to it. Her characters are not all beautiful; the beautiful are not all virtuous; and all are equally capable of good and evil. Thus, Austen encourages readers to judge characters by what they can control, their behavior, not by what they cannot control, their physical appearance. By focusing on the beholder of beauty and by emphasizing personal integrity without denigrating physical beauty, Austen broadens her depictions of beauty to include goodness; and she makes virtue, rather than physical beauty, the defining trait of her admirable characters.
机译:十八世纪小说传统上以美丽和英俊的女主人公和英雄为特色。实际上,它们通常是小说中最吸引人的角色。奥斯丁意识到并讽刺了她的青少年时期对美的偏见。在她成熟的作品中,她留下了明显的讽刺。然而,奥斯丁通过创造具有吸引力范围的男女角色,与既定的文学规范有所不同。本论文借鉴了希腊人,十八世纪思想家以及当前的历史,进化论和女权主义理论家的美理论。奥斯汀小说中形形色色的角色。探索了美与表征的关系的几个方面:美与美(人类将美与善联系起来的趋势);姐妹,兄弟和美女(家庭中美女的角色);美女与女性竞争(婚姻市场以及基于美的竞争如何影响女性);美女与男性竞争(男性吸引力的不同方面以及这些属性如何塑造男性竞争和统治等级);和《美与衰老》(18世纪有关衰老和美的观念对男女的影响)。;对奥斯丁作品中的自然美的探索表明,尽管她受到文学和社会传统的影响,但她的基督教世界观也影响她的外表美。她欣赏美丽,却没有赋予任何道德价值。她的角色并非全都漂亮;美丽的人并不都是贤惠的。所有人都有善恶的能力。因此,奥斯丁鼓励读者根据角色可以控制的内容,行为而不是无法控制的外观来判断角色。奥斯丁通过关注美丽的情人,并强调个人品格而又不贬低身体的美丽,从而扩大了对美丽的描述,包括善良。她以美德而不是外表美来形容她令人钦佩的角色的特征。

著录项

  • 作者

    Eddleman, Stephanie M.;

  • 作者单位

    The University of Mississippi.;

  • 授予单位 The University of Mississippi.;
  • 学科 Literature English.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 142 p.
  • 总页数 142
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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