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From the strategic self to the ethical relation: Pedagogies of war and peace.

机译:从战略自我到伦理关系:战争与和平教学法。

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摘要

As a student of sociology, and sociology in education in particular, I have a specific interest in how war and peace have been conceptualised in the social sciences. Such study has hitherto been the domain of sociology and political science with its sub-disciplines of security studies and international relations. However, what I have found to be lacking in the standard literature on conflict and war, peace and security, within both political science and sociology, is an adequate theorisation of how militarism, the ideology of war, functions outside of military structures, impacting on culture, identity and subjectivity. This dissertation, therefore, expands the traditional social science framework to include an analysis of war in its epistemological and ontological dimensions, as opposed to its purely strategic functions. In this project, I examine war as a lived cultural practice, expressed and reproduced in cultural forms ranging from the military metaphors and battle imagery of medical science to representations of the other as Enemy and enemy as Other. The dissertation therefore moves from an examination of how war has been conceptualised in classical war theory and international relations to an analysis of military strategy as a key organising principle in cultural production and social relations.;In the first part of the project I relocate the Clausewitzian "theatre of war" from the foreground of the state to what I refer to as a "cultural logic of war" and its sites of militarised masculinity, such as, for example, the battlefield of the Self constructed by the medical/military intertext. A closer examination of what I term the "Strategic Self" reveals a construction of the enemy/Other as a racialised discourse of desire. The dissertation then moves from an examination of the will to security as an effort to secure desire, to a suggestion of a pedagogy for peace based on a more ethical relation with alterity.
机译:作为社会学的学生,尤其是教育学的社会学的学生,我对社会科学中如何将战争与和平概念化特别感兴趣。迄今为止,此类研究以其安全性研究和国际关系子学科而成为社会学和政治学领域。但是,我发现在政治学和社会学领域内关于冲突与战争,和平与安全的标准文献中都缺乏对军国主义,战争意识形态,军事结构以外的功能如何影响的充分理论化。文化,身份和主观性。因此,本论文扩展了传统的社会科学框架,使其包括在战争的认识论和本体论维度上进行的分析,而不是纯粹的战略功能。在这个项目中,我将战争作为一种现实的文化实践进行考察,以各种文化形式来表达和复制,从军事隐喻和医学战斗影像到对另一方的表示为“敌人”和对敌方的表示为“其他”。因此,本文从对经典战争理论和国际关系中战争概念化的考察,转向对作为文化生产和社会关系中关键组织原则的军事战略的分析。;在项目的第一部分中,我搬迁了克劳塞维茨主义从国家的前景到我所说的“战争的文化逻辑”及其军事化的男子气概的场所,例如“战争剧院”,例如由医学/军事界构建的“自我”的战场。仔细研究我所说的“战略性自我”,可以发现敌人/他人作为种族化的欲望话语的建构。然后,论文从对意志的检验到作为确保欲望的努力的安全,转向对基于更道德与变化的伦理关系的和平教育的建议。

著录项

  • 作者

    Molloy, Patricia Mary.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 Education Sociology of.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 233 p.
  • 总页数 233
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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