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Performed Disciplines/Collaborative Disciplines: Becoming Interdisciplinary in Higher Education.

机译:表演学科/合作学科:在高等教育中成为跨学科。

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摘要

This doctoral study concerns itself with the challenges and potentials of engaging in interdisciplinary collaborations in higher education. As a participant/researcher in the study, I was a member of a cohort of three graduate student teaching associates that engaged in mindful examinations of our disciplinary subjectivities and the processes of becoming interdisciplinary. Further, the cohort explored the tensions of being disciplinary subjects and, through narrative and visual arts-based practices, made attempts to alleviate some of those tensions. I suggest that one might engage in strong interdisciplinary work by allowing oneself to depart somewhat from codes of disciplinary identity. I use the word "departure" meaning "a different approach," not to suggest an exodus from disciplinary identity or practice, but acknowledge the advantages of the codes of a discipline that serve to ground one's identity and practice. The theorizing of such a departure is significantly informed by both Feminist theory and the work of Gilles Deleuze and Felix Guattari.;In order to understand the process of becoming interdisciplinary, the methodology of the study includes three group interviews, the sharing of individual disciplinary approaches to curriculum, and participant reflections on the proceedings of the study. These methods were employed to help answer the primary research question, which is: What are the potentials of changed disciplinary performance and identity resultant from mindful interdisciplinary collaboration? Using a content analysis approach, I identified emergent questions through which the findings of the study were also analyzed. Those emergent questions are: 1. What are the tensions associated with disciplinary performance in regard to student expectations of the discipline? 2. How might interdisciplinary collaboration alleviate tensions or limitations embedded in a disciplinary identity? 3. How does an interdisciplinary body perform?;I consider the affective investments the participants have in their disciplinary identities, the usefulness of the discipline, and the potentials for renegotiated disciplinary identity in regard to pedagogy. I also call for future research in the areas of interdisciplinary, transdisciplinary, and post-disciplinary practices that might create more vibrant learning communities.
机译:这项博士研究涉及在高等教育中开展跨学科合作的挑战和潜力。作为研究的参与者/研究人员,我是三位研究生教学助理的成员,他们认真研究了我们的学科主观性和跨学科过程。此外,该研究小组探索了作为纪律学科的紧张局势,并通过叙事和基于视觉艺术的实践,试图缓解其中的某些紧张局势。我建议一个人可以通过允许自己稍微偏离学科身份准则来从事强大的跨学科工作。我使用“离开”一词的意思是“一种不同的方法”,并不是要暗示从学科身份或实践中逃走,而是要承认该学科准则的优点,这些准则有助于确立自己的身份和实践。女权主义理论以及吉尔斯·德勒兹(Gilles Deleuze)和费利克斯·瓜塔里(Felix Guattari)的工作都极大地说明了这种偏离的理论。为了理解跨学科的过程,该研究的方法包括三组小组访谈,各学科方法的共享课程,以及参与者对研究过程的思考。这些方法被用来帮助回答主要的研究问题,即:跨学科合作带来的学科表现和身份变化的潜在潜力是什么?使用内容分析方法,我确定了新出现的问题,并通过这些问题对研究结果进行了分析。这些新出现的问题是:1.在学生对学科的期望方面,与学科表现有关的紧张关系是什么? 2.跨学科合作如何减轻学科认同中的张力或局限性? 3.跨学科机构的表现如何?;我考虑参与者在其学科身份方面的情感投入,该学科的有用性以及在教学法方面重新协商学科身份的潜力。我还呼吁未来在跨学科,跨学科和后学科实践领域进行研究,这些实践可能会创建更活跃的学习社区。

著录项

  • 作者

    Wolfgang, Courtnie N.;

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Education Curriculum and Instruction.;Education Higher.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 234 p.
  • 总页数 234
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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