'Music is the weapon': Music as an anti-colonial tool for Aboriginal people in Toronto.

摘要

This thesis examines how music can function as an anti-colonial weapon. By adopting an Indigenous anti-colonial framework, this thesis critically examines how music as a public medium can transgress dominant, racist narratives and create powerful avenues through which Aboriginal identity can be articulated and experienced by Aboriginal people. Ten formal interviews were conducted with Aboriginal musicians, traditional singers, and behind the scenes music industry people involved with the Aboriginal community of Toronto. Interview candidates included singers from local drum groups, such as Eagle Heart Singers, Red Spirit Singers, Morning Star River, and Spirit Wind. Award winning musicians such as Lucie Idlout, Leela Gilday, and Derek Miller also contributed their insights, as well as the founder of Rez Bluez, Elaine Bomberry. These interviews uncovered that, within Toronto, music is building vital connections to Aboriginal cultures, generating visibility of contemporary Aboriginal identities within public realms, and fostering relationships between Black and Aboriginal communities through musical genres such as blues and hip-hop. Overall, this thesis argues that music has the potential to be a revolutionary tool that Aboriginal people can use to decolonize themselves and their nations.