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Musical Citizens: String teachers' perceptions of citizenship education in the private studio.

机译:音乐公民:在私人工作室里,串串老师对公民教育的看法。

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摘要

This quantitative study explores string teachers' perceptions of citizenship education and its use in the private lesson. Guided by Westheimer and Kahne's (2004) model of citizenship education the study sought to identify (a) how private string teachers perceive citizenship education, and (b) the factors that influence these perceptions. Four hundred and fifteen (415) members of the American String Teachers Association (ASTA) participated in this study by completing an on-line survey that contained both closed and open-ended questions. The resulting data was coded and organized according to the survey questions and the conceptual framework. Research findings revealed that, although teachers did not explicitly consider citizenship education a part of their lessons, their intentions and their report on pedagogical practices could be described as citizenship education when viewed through the conceptual framework used in the study. Indeed, nearly all of the participant responses revealed intentions to include attributes of what Westheimer and Kahne refer to as the Personally Responsible Citizen in their music lessons with students. Educating for traits of other types of citizenship was also reported.;Factors deemed influential in string teachers' perceptions of citizenship education included the following: If the teachers had earned certification in Suzuki pedagogy; the number of years of teaching experience; if teachers self-identified as primarily educators, performers, or both; the age of the students who are taught. Additionally, the study addresses teachers' statements about the use of competitions, dialogue in lessons, and general attitudes about the appropriateness of citizenship education in several different learning environments.;The study findings add to a small but growing body of research that furthers understandings of the links between citizenship education and music education. In addition, the findings contribute to our understanding of the complexity of the relationship between private teachers and their students.
机译:这项定量研究探讨了弦老师对公民教育的看法及其在私人课程中的运用。在Westheimer和Kahne(2004)的公民教育模型的指导下,该研究试图确定(a)私人弦乐器教师如何看待公民教育,以及(b)影响这些观念的因素。美国弦乐教师协会(ASTA)的一百四十五(415)名成员参加了这项研究,完成了包含封闭式和开放式问题的在线调查。根据调查问题和概念框架对结果数据进行编码和组织。研究结果表明,尽管教师并未明确将公民教育视为其课程的一部分,但从研究中使用的概念框架来看,他们的意图和关于教学实践的报告可被描述为公民教育。确实,几乎所有参与者的回答都表明,他们打算在与学生的音乐课中纳入韦斯特海默和卡恩所说的“个人负责的公民”的属性。还报告了教育其他类型公民的特征。认为对弦老师的公民教育观念有影响的因素包括:教师是否获得了铃木教育学的证书;教学年限;如果教师自认是主要的教育者,表演者或两者兼而有之;受教学生的年龄。此外,该研究还探讨了教师关于比赛使用,课堂授课中的对话以及关于在几种不同学习环境中公民教育是否适当的一般态度的陈述;研究发现增加了一个小型但不断增长的研究机构,进一步加深了对公民教育与音乐教育之间的联系。此外,这些发现有助于我们理解私人教师与学生之间关系的复杂性。

著录项

  • 作者

    Harrison, Joan.;

  • 作者单位

    University of Ottawa (Canada).;

  • 授予单位 University of Ottawa (Canada).;
  • 学科 Education Music.;Education Social Sciences.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 196 p.
  • 总页数 196
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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