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'Revolutionizing the mind': Social Democratic associational culture in late imperial Vienna (Austria).

机译:“革命思想​​”:晚期帝国维也纳(奥地利)的社会民主团体文化。

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"'Revolutionizing the Mind': Social Democratic Associational Culture in Late Imperial Vienna" broadly addresses the relationship between high culture, mass politics, and popular culture at the end of Europe's long nineteenth century. Beginning with constitutional reforms in 1867 and ending with the collapse of the Habsburg monarchy at the end of the First World War in 1918, this dissertation examines how the ascendant Austrian Social Democratic party mobilized its constituency through a conscious appropriation of the language and symbolism of dominant confessional Catholicism. Convinced that only the educated worker was capable of political participation, a liberally educated leadership attempted to impart the party's values to its members by infusing new meaning into Austrian social and cultural traditions. The Social Democratic party organized street demonstrations and founded political and cultural associations modeled consciously on traditional form and ritual in order to cultivate Austrian workers intellectually and spiritually. The dissertation examines the successes and failures of the party's cultural politics using the examples of the Viennese Free Peoples' Theater (1906-1915) and the Workers' Symphony Concert Association (1905-1918).; These associations quickly became focal points of conflict as the popular culture of the party's constituency and the aspirations of the party's leadership intersected in venues that had once been reserved for the city's cultural and political elites. The democratization of the formerly exclusive arenas of politics thus mirrored those of art. This dissertation illuminates several previously unexamined areas of cultural and political conflict that surfaced between workers, Social Democrats, and Liberals in late imperial Vienna. More importantly, this analysis demonstrates that the cultural education of the working classes was not a surrogate for political participation, but instead constituted a deliberate component of the party's efforts to create a more inclusive political culture in Austria.
机译:“革命性思想:维也纳帝国晚期的社会民主联合文化”广泛论述了十九世纪末欧洲高级文化,大众政治与大众文化之间的关系。从1867年的宪法改革开始,到1918年第一次世界大战结束时哈布斯堡王朝的瓦解,结束本论文研究了崛起的奥地利社会民主党如何通过有意识地挪用占统治地位的语言和象征主义来动员其选民Catholic悔天主教。坚信只有受过良好教育的工人才有政治参与的能力,受过自由教育的领导者试图通过将新的含义注入奥地利的社会和文化传统中来将党的价值观赋予其成员。社会民主党组织街头游行,并建立有意识地以传统形式和仪式为榜样的政治和文化协会,以在智力和精神上培养奥地利工人。本文以维也纳自由人民剧院(1906-1915)和工人交响音乐会协会(1905-1918)为例,考察了该党文化政治的成败。随着党派选民的流行文化和党领导的愿望在曾经为该市文化和政治精英保留的场所相交,这些协会很快成为冲突的焦点。因此,以前排他性的政治领域的民主化反映了艺术领域。这篇论文阐明了帝国帝国后期在工人,社会民主党人和自由主义者之间出现的文化和政治冲突的几个先前未经审查的领域。更重要的是,这一分析表明,工人阶级的文化教育并不是政治参与的替代,而是构成了该党在奥地利建立更具包容性的政治文化的努力的有意组成部分。

著录项

  • 作者

    Koehler, Jonathan Loren.;

  • 作者单位

    University of Rochester.;

  • 授予单位 University of Rochester.;
  • 学科 History European.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 欧洲史;
  • 关键词

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