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Being touched by music: A phenomenological-hermeneutical approach to understanding transformational musical experience.

机译:被音乐感动:一种现象学-诠释学的方法,用于理解音乐的转化体验。

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摘要

This dissertation investigated the lived experience of being personally transformed by listening to music. The investigation started with an exploration of the literature that relates to the phenomenon of musical transformation, including natural-scientific research as well as ideas from musicology, ethnomusicology, psychology, literature, and philosophy. This research was designed to access the nuanced and subjective aspects of the phenomenon by attending to the experience as lived by the experiencer. The method was qualitative in nature, based on a phenomenological-hermeneutical methodology. Throughout the research process, the researcher maintained a reflexive stance, attending to assumptions and preconceptions held about the phenomenon. This was done to ensure that the understandings generated would retain a kind of self-consciousness, remaining open to reconsideration.; The data set included written protocols and conversations with four musicians about moments when they felt personally transformed by listening to music. From this data, descriptive and interpretive understandings of their experiences were generated and an understanding of this kind of musical experience in general was articulated. Qualities found in this research to be integral to transformational musical experience include the following themes: Attunement to the experience, Apprehending the beautiful, Inhabiting a musical world, Being sound, Embodying music's will, Connectedness, and Emerging transformed. Transformational musical experience was disclosed as a phenomenon that involves the creation of personal meaning that is co-constituted by the music and the listener in the face of apprehending beautiful sound. The results were discussed in dialogue with ideas from the literature, with particular focus on the experience of embodiment of the transformational experience, the felt sense of connection to others and to the music, and notions of meaning and emotionality in music.
机译:本文研究了通过听音乐进行个人改造的现实经验。这项调查始于对与音乐转型现象有关的文献的探索,包括自然科学研究以及来自音乐学,民族音乐学,心理学,文学和哲学的思想。本研究旨在通过关注体验者所经历的体验来访问现象的细微差别和主观方面。基于现象学-解释学方法,该方法本质上是定性的。在整个研究过程中,研究人员保持了自反的立场,对有关该现象的假设和先入为主。这样做是为了确保所产生的理解将保留一种自我意识,并有待重新考虑的机会。数据集包括书面协议以及与四位音乐家的对话,讲述他们在听音乐时感到个人转变的时刻。从这些数据中,产生了对他们的经历的描述性和解释性理解,并且总体上表达了对这种音乐体验的理解。在这项研究中发现,与转化的音乐体验不可或缺的品质包括以下主题:对体验的调解,欣赏美丽,居住在音乐世界中,保持声音,体现音乐的意志,联系和新兴。变革性的音乐体验被揭示为一种现象,涉及创造个人意义,这种意义由音乐和听众面对着优美的声音共同构成。在与文学思想对话的过程中讨论了结果,特别关注了转换体验的体现体验,与他人和音乐的联系的感觉以及音乐中意义和情感的观念。

著录项

  • 作者

    Kumler, Kurt.;

  • 作者单位

    Duquesne University.;

  • 授予单位 Duquesne University.;
  • 学科 Music.; Psychology Developmental.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 213 p.
  • 总页数 213
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 音乐;发展心理学(人类心理学);
  • 关键词

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