文摘
英文文摘
声明
Acknowledgements
Chapter Ⅰ. Introduction
Ⅰ.1 Literature Review
Ⅰ.2 Conrad's Experimental Impressionist Practice
Ⅰ.2.1 Bergsonism
Chapter Ⅱ Modernity of Lord Jim: Breakthrough of Victorianism
Ⅱ.1 Truth in Victorian Fiction
Ⅱ.2 Conrad's Interpretation of “truth”
Ⅱ.2.1 Truth and Reflector
Ⅱ.2.2 How to Reflect truth
Ⅱ.3 Characters of Truth
Ⅱ2.3.1 Ambiguity
Chapter Ⅲ Marlow's Subjective Experience: Impressionist duration and fadeout of image
Ⅲ.1 Fadeout of Image
Ⅲ.2 Construction of Jim's Image in Subjective Experience
Ⅲ.2.1 Perception and Jim's Original Image in Sailor's Word
Ⅲ.2.2 Imagination: A new image of Jim
Ⅲ.2.3 Mix of Perception and Imagination and a Tragic Image of Jim
Chapter Ⅳ Marlow's Narration: Order of impressionist reflection
Ⅳ.1 Marlow's Reflective Order
Ⅳ.1.1 Tow Steps of the Movement of Marlow's Consciousness
Ⅳ.1.2 Marlow's Chain of Consciousness
Ⅳ.1.3 Effect of Using Marlow's Voice
Ⅳ.2 Conrad's Impressionist Writing: To select and dispose Marlow's impressions
Ⅳ.2.1 Skills of Disposition
Ⅳ.2.2 Skills of Integrating Reflective Rule and Subjective Narration
Ⅳ.3 Marlow's Ultimate Judgment via His Observation
Chapter Ⅴ Conclusion
Bibliography
