电影《红高粱》的动态多模态话语分析

摘要

随着网络和大众传媒的发展，交际已经不仅仅由纯语言完成，其中的一部分是由非语言因素构成。在话语分析方面，传统上只针对文字和语言的话语分析已经不能满足当代话语分析的需求，多模态话语分析应运而生。研究电影多模态话语的学者们大多数采用克瑞斯和勒文的视觉语法作为理论基础，且大多数从静态多模态的角度进行话语分析。本文主要根据张德禄的综合理论框架，对电影《红高粱》进行动态多模态话语分析。
　　本文采用描述分析方法和定性分析方法。电影中具有代表性的五个片段被截取并进行分析。描述分析方法主要对所截电影片段进行体裁描述。定性分析方法根据张德禄综合理论框架进行分析。首先，确定各电影片段所涉及到的形式和形式语法，并对语法如何实现话语意义进行研究。其次，对涉及到的形式进行关系分析，主要分为互补关系和非互补关系两大类。最后，对每一片段，在表达层面进行分析。
　　通过分析，发现存在视觉模态和声音模态两大类。声音模态包含背景音乐和背景歌曲。视觉模态和声音模态为互补关系，说明视觉模态和声音模态对构建电影语言都起到重要作用。最后，在媒体层面，语言媒体和非语言媒体在五个电影片段中都有出现。
　　通过对电影红高粱的动态多模态研究，本文证实了张德禄的综合理论框架在电影语篇研究方面的可行性和实用性，为分析电影语篇提供新的角度。同时，此研究扩大了对电影语言分析的范围。

目录

声明

Acknowledgements

Abstract

摘要

Contents

Abbreviations

List of Figures

Chapter One Introduction

1．1 The Research Background

1．2 Significance of the Study

1．3 Data Collection and Methodology

1．3．1 Data Collection

1．3．2 Methodology

1．4 Introduction of the Movie Red Sorghum

1．5 Structure of the Dissertation

Chapter Two Literature Review

2．1 Overview of Multimodal Discourse

2．1．1 Definition of Multimodality

2．1．2 Transition from Discourse Analysis to MDA

2．2 The Overview of Multimodal Discourse Analysis both Abroad and at Home

2．2．1 The Overview of Multimodal Discourse Analysis Abroad

2．2．2 The Study of Multimodal Discourse at Home

2．3 TheOverview of Filmic Discourse Analysis both Abroad and at home

2．3．1 The Overview of Filmic Discourse Analysis Abroad

2．3．2 The Overview of Filmic Discourse Analysis at home

2．4 The Overview of the Movie Red Sorghum analysis

Chapter Three Theoretical Framework

3．1 Systemic Functional Linguistics as Theoretical Foundation of Multimodal Discourse Analysis

3．2 Lim’s Integrative Multi-Semiotic Model

3．3 The Synthetic Theoretical Framework of MDA

3．4 The Transcription Criteria of Dynamic Multimodal Discourse

Chapter Four The Dynamic Multimodal Discourse Analysis of the Movie Red Sorghum

4．1 TheDynamic Multimodal Discourse Analysis of Clip One

4．1．1 The Introduction of Clip One

4．1．2 The Introduction of the Genre of Clip One

4．1．3 The Analysis on the Content Level of Clip One

4．1．4 The Analysis on Expression Level of Clip One

4．2 The Dynamic Multimodal Discourse Analysis of Clip Two

4．2．1 The Introduction of Clip Two

4．2．2 The Introduction of the Genre of Clip Two

4．2．3 The Analysis on the Content Level of Clip Two

4．2．4 The Analysis on Expression Level of Clip Two

4．3 The Dynamic Multimodal Discourse Analysis of Clip Three

4．3．1 The Introduction of Clip Three

4．3．2 The Introduction of the Genre of Clip Three

4．3．3 The Analysis on the Content Level of Clip Three

4．3．4 The Analysis on the Expression Level of Clip Three

4．4 The Dynamic Multimodal Discourse Analysis of Clip Four

4．4．1 The Introduction of Clip Four

4．4．2 The Introduction of the Genre of Clip Four

4．4．3 The Analysis on the Content Level of Clip Four

4．4．4 The Analysis on the Expression Level of Clip Four

4．5 The Dynamic Multimodal Discourse Analysis of Clip Five

4．5．1 The Introduction of Clip Five

4．5．2 The Introduction of the Genre of Clip Five

4．5．3 The Analysis on Content Level of Clip Five

4．5．4 The Analysis on Expression Level of Clip Five

Chapter Five Conclusion

5．1 Major Findings of the Present Study

5．2 The Limitations

5．3 Suggestions for Further Research

References

Appendix