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A New Genesis: Rethinking Gender Expressions in Ursula K. Le Quin's The Left Hand of Darkness

机译:一种新的创世纪:在Ursula K.Le Quin的左手左手的黑暗中重新思考性别表达

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Ursula K. Le Quin's The Left Hand of Darkness focuses on humanity in which she interrogates the system of dichotomies such as male/female, self/other, light/dark and shift/mind speech. Le Guin's concern with the dichotomy of sex/gender is shown in Genly Ai's perspectives on the biological sexual differences between Ekumen and Gethen. The androgynous society on Gethen, a sharp contrast to the heterosexual society, brings Ai both cultural and biological shocks. The Left Hand of Darkness compels readers to rethink how a culture development is influenced by the concepts of sex and gender. This paper analyzes the gender expression which is associated with the formation in particular cultural context and stereotypes of gender. Le Guin interrogates factors related to the dichotomy of sex/gender and the development of the culture. The androgynous Gethenian Estraven displays that the achievement of individual integrity and humanity lies in the coexistence of the opposites.
机译:Ursula K.Le Quin是黑暗的左手侧重于她询问男性/女性,自我/其他,光/黑暗和思想言论等二分形式系统的人性。 Le Guin对Sex /性别二分法的关注,以Genly AI对Ekumen和Gethen之间的生物性差异的观点显示。 与异性恋社会鲜明对比的雌雄同体社会,带来了一个文化和生物冲击。 黑暗的左手迫使读者重新思考文化发展是如何受到性别和性别概念的影响。 本文分析了与特定文化背景和性别陈规定型的形成相关的性别表达。 Le Guin询问与性别/性别的二分法以及文化的发展有关的因素。 雌雄同体的Gethenian estraven展示了个人诚信和人性的实现在于对立面的共存。

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