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Exploration on the Decorative Art of Rukai Patterns in Taiwan from the Perspective of Semiotics

机译:符号学视角下台湾鲁凯模式装饰艺术的探索

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The human world is a world of symbols, which originates from the natural physiological response of human body and forms the public behavior through common cognition. The use of symbols contributes to the communication mode of consciousness information expression. Decoration is a symbol in the world of colorful symbols, an indispensable and necessary part of life. In addition to keeping warm, protecting the body and beauty, it is also a form of human expression of emotion and self-expression, and also shows the features of all social classes. The Rukai nationality in Taiwan is an ethnic group without written language. The application of pattern implies the social class, customs and cultural context of the ethnic group. Based on the relevant literature records, field records, field interviews and comprehensive analysis, this paper discusses the pattern decoration of Rukai nationality from the perspective of semiotics: the nature, origin and significance of behavior of marks. It is hoped to arouse people's understanding of the traditional pattern decoration of the Rukai people in Taiwan, and to care about their traditional culture and inheritance.
机译:人类世界是一个符号的世界,它起源于人体的自然生理反应,通过共同认知来形成公共行业。符号的使用有助于意识信息表达式的通信模式。装饰是世界上彩色符号的象征,一个不可或缺的生活中必不可少的一部分。除了保持温暖,保护身体和美丽之外,它也是一种情感和自我表达的人类表达的形式,也表明了所有社会阶层的特征。台湾的瑞凯国籍是一个没有书面语言的族裔群体。模式的应用意味着民族的社会阶层,习俗和文化背景。基于相关文献记录,现场记录,现场访谈和综合分析,从符号学的角度讨论了Rukai国籍的模式装饰:痕迹行为的性质,起源和意义。希望引起人们对台湾瑞凯人民传统装饰的了解,并关心传统文化和继承。

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