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The Preservation of Kuriding Music in South Kalimantan

机译:南荷马丹南方盾牌的保存

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The art of kuriding music is very apprehensive, seeing the reality of the players from year to year has been decreasing in the quantity and quality. There are only a few people can play and they are 50 years old and even older. The disinterest of the young generation to the presence of traditional music with the presence of communication and entertainment technology has made it easier for people to choose various types of entertainment according to what they like or interest. The purpose of this study was to analyze the preservation of kuriding music. This study used a qualitative approach, it means that all the data obtained was described in the form of words with the ethnomusicology science as the prime study by seeing from the physical aspect (music body), social aspect, and culture. Data collection techniques used were: interview, observation, and documentation. The condition of kuriding music until 2018 has been a significant development in the Banjar community of South Kalimantan. The development which is known right now has been improved, including in the preservation relating to the retaining (originality), developing (function, instrument and presenting form), and disseminating (governmant event, social media; Instagram, YouTube etc.) The arts education institutions, artists, government, local communities, and young generation party have an important role in maintaining the music as a cultural asset that is owned while keeping its sustainability.
机译:库拉特音乐的艺术非常沉思,看到球员的现实从一年到一年一直在减少数量和质量。只有少数人可以发挥,他们已经50岁甚至更老了。年轻一代人对传统音乐的存在与通信和娱乐技术的存在使人们更容易根据他们喜欢或兴趣选择各种类型的娱乐。本研究的目的是分析守护音乐的保存。这项研究使用了定性方法,意味着所获得的所有数据都以与ethnomusicolocolocys的单词形式描述为主要研究,从物理方面(音乐机构),社会方面和文化。使用的数据收集技术是:面试,观察和文档。 Kuripe音乐的状况直到2018年在南卡里曼丹班德县社区一直是一项重要的发展。现在已知的开发已得到改善,包括与保留(原创性)有关的保存,开发(功能,仪器和呈现形式),以及传播(管理员事件,社交媒体; Instagram,YouTube等)的艺术教育机构,艺术家,政府,当地社区和年轻一代聚会在将音乐视为保持其可持续性的同时拥有的文化资产方面具有重要作用。

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