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A Critical Overview of Modular and Geometric Type Design Categorization in Typographic Taxonomy Systems

机译:印刷分类系统中模块化和几何设计分类的关键概述

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This paper identifies inherent limitations of current and popular typographic taxonomy systems regarding the categorization of modular and geometric type. These taxonomy systems commonly focus on historical sources and strictly aesthetical or structurally generic factors. We believe that even ones which offer a greater degree of detail still fail to extend to the level of attention regarding the full range of idiosyncrasies of modular and geometric type design. We thus propose a theoretical approach, making use of a non-interventionist methodology of qualitative research, through literary review and observation, and we evaluate the state of the art regarding current and historical typographic taxonomy systems and works from Childers, Griscti et al.; Kupferschmid; Baines & Haslam; Johnston; and Dixon, with a special focus on the latter's own classification system and its potential for expansion. Our main objective is that a critical understanding of the multiple systems of typographic taxonomy, combined with our first-hand professional experience and theoretical research in modular type design may facilitate the production, categorization, promotion and commercial distribution of modular fonts and font systems, as well as the teaching of the history and techniques specific to this creative field. Modular and geometric type design production is a field of activity in its own right, with a rich and diverse history and ongoing vitality, and should thus be validated on its aesthetic, technical, commercial and pedagogic merits, regardless of its limited practical applications on our demanding modern visual communication. We conclude by introducing the early guidelines for a revised and expanded taxonomy system, as well as some practical applications, which can include improved learning exercises both for beginners and seasoned professionals, as well as enhanced categorization and filtering tools both for online font stores and font managing software.
机译:本文识别了关于模块化和几何型分类的当前和流行的排版分类系统的内在局限性。这些分类系统通常专注于历史来源,严格审美或结构通用因素。我们认为,即使是那些提供更大程度的细节的人仍然没有扩展到模块化和几何设计的全系列特质的关注程度。因此,我们通过文学审查和观察,利用了一种理论方法,利用了定性研究的非干预主义方法,我们评估了关于当前和历史排版的艺术状态,并从童人工作,Griscti等; kupferschmid;贝恩斯和哈斯拉姆;约翰斯顿;和迪克森,特别关注后者自己的分类系统及其扩张潜力。我们的主要目标是,对多种排版分类系统的关键理解,结合我们的第一手专业经验和模块化设计的理论研究可以促进模块化字体和字体系统的生产,分类,促进和商业分布,如以及特定于此创意领域的历史和技术的教学。模块化和几何设计制作是其自身的活动领域,具有丰富和多样化的历史和持续的生命力,因此应验证其审美,技术,商业和教学优点,无论其有限的实际应用程序如何要求现代的视觉通信。我们通过介绍修订和扩大的分类系统的早期准则以及一些实际应用,这可以包括对初学者和经验丰富的专业人士的改进学习练习,以及在线字体商店和字体的增强分类和过滤工具管理软件。

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