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The Importance of Textiles in the User Experience in Interior and Furniture Design

机译:纺织品在室内和家具设计中的用户体验中的重要性

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摘要

Since Prehistory, the interior of human habitats is a reflection of their existence, therefore, man has adapted space to his needs and physical conditions. The adaptability of furniture and shelter spaces corresponded to sedentary or nomadic life forms. During the Modern Era, from the 15th century Renaissance, and especially with the Baroque in the 17th and 18th centuries, furniture and decoration began to play a relevant role in the design of interiors, both religious and civil architecture. The relationship between architecture and design and its implications is a question that leads us to reflect on the nature of the disciplinary approach to design itself and its application or performance as interior design. Thus, this article aims to emphasize the importance of textiles in the user's relationship with interior space and furniture. As evolutionary concepts, interiors and furniture have undergone profound changes and adaptations in response to the prevailing aesthetic power of symbolic character and to the comfort created by the needs of its users. In this sense, by reviewing the literature and presenting examples it is our intention to clarify concepts and modes of action.
机译:自从史前,人类栖息地的内部是他们存在的反映,因此,人类对他的需求和物理条件进行了适应空间。家具和避难所空间的适应性与久坐不动或游牧生命形式相对应。在现代时代,从15世纪的文艺复兴,特别是在17岁和18世纪的巴洛克,家具和装饰开始在内饰设计中发挥相关作用,包括宗教和公民建筑。建筑与设计之间的关系及其含义是一个问题,导致我们反思了设计本身的学科方法的性质及其作为室内设计的应用或性能。因此,本文旨在强调纺织品在用户与室内空间和家具关系中的重要性。作为进化的概念,室内设计和家具正在接受深刻的变化和适应性,以应对象征性的常见的审美能力以及通过用户需求所产生的舒适度。从这个意义上讲,通过审查文献和提出的例子,我们有意澄清概念和行动模式。

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