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Traditions of Classicism in the European Architecture of the XX Century

机译:XX世纪欧洲建筑古典主义的传统

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Analysing the architectural theory and practice of the XX century,many researchers focus on currents and directions,united by the name”modern”.The beginning of this approach was put by Manifesto of Futurism(Filippo Tommaso Marinetti,1909),which proclaimed the need for each generation to create his own living environment.This type of thinking was characteristic of most architects of the XX century,who created”new traditions”.In parallel,artistic trends developed,based on regionalism,the traditions of neoclassicism or historicism.The variety of the phenomena of architecture of the XX century can be placed between two poles.The first pole defines”The spirit of time”(Zeitgeist),i.e.caused by the needs of our time social,technical,aesthetic and other problems,realized in theory and practice in the corresponding architectural forms.Toward another pole,architectural solutions gravitate due to the search for the Ideal of Architecture,Hegel's”perfect being,”not related to time and the cause of its emergence.One of the options for such searches was the use of classic forms.An analysis of the use of the traditions of classicism in the architecture of the XX century is devoted to this publication.
机译:分析XX世纪的架构理论与实践,许多研究人员侧重于“现代”名称的潮流和方向。这种方法的开始是由未来主义(Filippo Tommaso Marinetti,1909)的宣言,宣布需要每代都要创造自己的生活环境。这类思维是XX世纪的大多数建筑师的特征,他创造了“新的传统”。在不同的艺术趋势,基于区域主义,新古典主义或历史主义的传统发展。 XX世纪的建筑现象的各种可以放在两极之间。第一杆定义“时间精神”(Zeitgeist),通过我们时代社会,技术,审美和其他问题的需求,实现了“理论与实践在相应的建筑形态。另一个杆,建筑解决方案引起的庄严,因为寻找建筑的理想,黑格尔的“完美存在”与时间无关和原因它的出现。此类搜索的选择是使用经典形态。分析XX世纪建筑中的古典主义传统的使用致力于本出版物。

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