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Discussion on the Aesthetic Experience of Artificial Intelligence Creation and Human Art Creation

机译:论人工智能创造与人类艺术创作的审美经验

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With the continuous development and progress of science and technology, artificial intelligence (AI) has gradually become a part of the field of literary and artistic creation. In this process, more AI works of art have emerged at key moments. As a result, discussions of the evaluation of AI-produced art have become richer and richer. At present, when discussing whether or not works created by AI are art, the biggest controversy relates to whether AI creations can express emotions, as human art can. No textual research has yet been conducted on this topic. Although a few studies have explored the emotions elicited by AI works of art, most have focused on the identity cognition of AI and human artists. This research proposes a novel approach to artistic aesthetic experience to explore two research questions, as follows: 1) What types of emotional responses do observers have when they encounter works of art created by artificial intelligence? 2) Is there a significant difference in observers' emotional responses to AI works of art and the works of human artists? In this study, the abstract works of art created by human artists and AI are used as the primary image stimulation, and the Geneva Emotion Wheel created by the Swiss Emotional Research Center is used as the basic measuring tool, allowing the study participants to choose from 20 emotion types and 5 intensity levels.
机译:随着科学技术的不断发展和进步,人工智能(AI)逐渐成为文学和艺术创作领域的一部分。在这个过程中,更多的AI艺术品在关键时刻出现了。结果,对AI制造的艺术的评估的讨论变得更丰富和更丰富。目前,在讨论AI是艺术创造的工作的情况下,最大的争议涉及AI创作是否可以表达情绪,就像人类艺术品一样。没有在这个主题上进行了文本研究。虽然一些研究探索了AI艺术品所引出的情绪,但大多数人都专注于AI和人类艺术家的身份认知。这项研究提出了一种新的艺术审美经验方法,探讨了两个研究问题,如下:1)观察者在遇到由人工智能创造的艺术作品时有哪些类型的情绪反应? 2)观察员对AI艺术作品和人类艺术家作品的情感反应有显着差异吗?在这项研究中,由人类艺术家和AI创建的艺术品的抽象作品被用作主要图像刺激,瑞士情感研究中心创建的日内瓦情感轮用作基本测量工具,允许研究参与者选择20个情绪类型和5个强度水平。

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