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A Summary and Comment on the Study of National Opera Canal Ballads

机译:国家歌剧运河民谣研究的综述和评论

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Director Liao Xianghong's national opera Canal Ballads has aroused the touching and affection of many domestic music researchers, singers and performers since the debut of National Grand Theater in 2012. The drama is based on the Beijing-Hangzhou Grand Canal which is comparable to the Great Wall. It depicts the Chinese story of the joys and sorrows of the two sides of the canal during Wanli of Ming Dynasty. In addition to the successful singers such as Lei Jia, Wang Hongwei, Wang Zhe and Wang Zenan who have successfully performed Yin Qing's vocal music works, the drama is also astonishing because of its strong creative team and its nationalized, localized and just opera conception, guiding the correct contemporary aesthetic direction and values of life. By collecting and studying the researches of others in recent years, this dissertation makes a more comprehensive assessment of the play and hopes to make theoretical explanations for furthering "Chinese story" and spreading "China's good voice". Since its debut in June 2012, Chinese opera Canal Ballads has aroused widespread concern of many critics, researchers and music lovers. So far, a great deal of research achievements has appeared. The author enters the key word "canal ballad" in the periodical network. There are 42 articles directly related to it, including 15 master's theses, accounting for 36% of the existing achievements. This shows that the opera Canal Ballads has had widespread influence in recent years. At the same time, it highlights the opera's rich musical features and dramatic conception, which provides vast space for researchers. In this article, the author chooses several representative ones to sort out greatness, and to carry on the author's interpretation and thinking to strive to stand on the predecessors and continue to do some bedding of the future study of Canal Ballads. According to combing and analysis, in recent years, the relevant scholars' research on Canal Ballads focuses on the following aspects.
机译:廖祥龙的国家歌剧院民谣群落引起了许多国内音乐研究人员,歌手和表演者自2012年以来的触摸和感情。剧中依据北京杭州大运河,与长城相媲美。它描绘了明代万利期间运河两岸的乐趣和悲伤的中国故事。除了雷佳等成功歌手,王洪伟,王哲和王哲和王哲和王宗南成功地表演了尹清的声乐作品,由于其强大的创意团队及其国有化,本地化和歌剧概念,戏剧也很令人惊讶,指导正确的当代美学方向和生活价值观。通过收集和研究近年来他人的研究,本文对戏剧进行了更全面的评估,希望为进一步“中国故事”和传播“中国的好声音”做出理论解释。自2012年6月首次亮相以来,中国歌剧院民谣引起了许多批评者,研究人员和音乐爱好者的广泛关注。到目前为止,出现了大量的研究成果。作者在期刊网络中输入关键词“Canal Ballad”。有42篇文章与其直接相关,包括15个硕士顾族,占现有成就的36%。这表明近年来歌剧运河乐队的影响普遍影响。与此同时,它突出了歌剧的丰富音乐特征和戏剧性的概念,为研究人员提供了巨大的空间。在本文中,作者选择了几个代表性的,解决了伟大,并携带作者的解释和思考努力站在前任并继续做一些床上用品的运河民谣研究。根据梳理和分析,近年来,相关学者对运河博士的研究重点是以下几个方面。

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