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Exploring the Innovation, Integration and Lead of the Cultural and Sentimental Program: A Case Study of The Reader Developed by the China Central Television (CCTV)

机译:探索文化和青化计划的创新,整合和领导 - 以中国中央电视台开发的读者为例

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In the contemporary age of cross-media integration, programs categorized as variety shows and cultural programs are generally plagued by the tendency of pan-entertainment. Against such a backdrop, TV Broadcasters are required to tread on a path that strikes a balance between viewership rating and quality, and between revenue and sentiment. The Reader developed by the China Central Television (CCTV) is indeed an attempt of exploring such a path that features innovation, integration and lead. The Reader is a large-scale show categorized as a cultural and sentimental program that features "People, Telling, Feeling, Performance and Delivery". Through the method of presentation that features a person, a feeling, an article and a pavilion, the program aims to encourage readers to present the value behind the words with the most ordinary voice. In the online and offline reading pavilions, everyone could feel the power brought along by the words. Such a "diverse" combination embodies the production team's attempt of exploring and innovating the form of the program.
机译:在当代跨媒体一体化时代,分类为品种表演和文化计划的计划通常被泛娱乐的趋势困扰。在这种背景下,电视广播公司需要踩踏一条攻击自播性等级和质量之间的平衡,以及收入与情绪之间的平衡。中国中央电视台(中央电视台)开发的读者确实是探索这种具有创新,集成和领导的道路的尝试。读者是一个大规模的秀,分为一个文化和感情计划,具有“人,讲述,感觉,性能和交付”。通过呈现的方法,该方法具有一个人,一种感觉,文章和展馆,该计划旨在鼓励读者以最普通的声音向单词背后的价值呈现。在网上和离线阅读馆,每个人都能感受到这些词的权力。这种“多样化”组合体现了生产团队的探索和创新计划形式的尝试。

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