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The British Society in the 1980s and the 1990s Reflected in the Poems of Carol Ann Duffy

机译:英国社会在20世纪80年代和20世纪90年代反映在卡罗尔安德菲的诗歌中

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As the first Scottish and first woman to be appointed as Britain's Poet Laureate, Carol Ann Duffy, by using the weapon of poetry, addresses a wide range of issues related to her people and her gender, including social, economic and gender oppressions confronted with by the working class of Britain. This paper, by analyzing the social situations of Britain in the 1980s and 1990s under the administration of Margaret Thatcher, studies Carol Ann Duffy's poems, mainly those from the three collections Selling Manhattan, Standing Female Nude and The Other Country, from the perspective of their reflection of the then British society. It studies in detail Duffy's poems and reveals three main aspects of the British society in the Thatcherite world: commercialism and moneymaking elevated as the top notion of people, selfishness and aimlessness among the young generation along with the state of despair and severe unemployment, and racial and cultural intolerance in the multicultural Britain.
机译:作为第一个苏格兰和第一名女子被任命为英国诗人Laureate,Carol Ann Duffy,通过使用诗歌的武器,解决了与她的人民和她的性别有关的广泛问题,包括社会,经济和性别压迫所面临的英国的工作班。本文通过分析了20世纪80年代和玛格丽特·撒切尔的行政行政的英国社会情况,研究卡罗尔安德菲的诗歌,主要是从他们的角度来看卖曼哈顿的三个收藏品的诗人,从他们的角度来看对英国社会的反思。它研究了Duffy的诗歌,并揭示了英国社会在撒上街道世界的三个主要方面:商业主义和贴大升高为人们的热门概念,年轻一代人中的最大概念以及绝望和严重失业的状态,以及种族和多元文化英国的文化不宽容。

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