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Research on the Human-animal God Images of Shanhai Ching

机译:中国上海人类上帝形象研究

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Shanhai Ching is an important ancient book of the pre-Qin Period, where the God images not only provide important literature material for researchers to understand the early religious thought, but also provide intuitive picture evidence. The human-animal is the second stage of the development of the God image, as compared with the whole beast God image that belongs to the more advanced god image created by the Chinese ancients and reflected the humane tendency of God. Based on the relevant text analysis, it can be found that the human-animal god image has the characters of both the man and the animals, which is mainly the combination of different parts of the body of man and beasts, and the number of which in Shanhai Ching is rich. This god images are originated from different animals, such as the snake, the dragon, the bird and the fish, etc. This is the embodiment of the primitive totem worship psychology, which reflects the rising status of human. The primitive people had different feelings towards different animals. After all, through the related God image's text content in Shanhai Ching, researchers not only can have deep contact with the image of God, but also can find the development track of the Chinese mythology. It is thus very important to study the origin of mythology.
机译:山海清是一个重要的古代古代的秦代时期,在那里神形象不仅为研究人员提供重要的文学材料,了解早期的宗教思想,还提供直观的图片证据。与属于由中国古人创造的更先进的神形象的整个野兽神形象相比,人类动物是神形象发展的第二阶段,这是由中国古人创造的更先进的神形象并反映了上帝的人道倾向。根据相关的文本分析,可以发现,人类与动物神的图像具有人都和动物,这主要是人与野兽的身体的不同部位的组合,和数字的字符,其中在山海富裕。这个神形象源自不同的动物,例如蛇,龙,鸟类等。这是原始图腾崇拜心理学的实施的体现,反映了人的上升状态。原始人对不同的动物有不同的感受。毕竟,通过相关神形象的山海文化内容,研究人员不仅可以与上帝的形象有深度接触,也可以找到中国神话的发展轨迹。研究神话的起源是非常重要的。

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