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Emotional Style Creation and Emotional Consumer Practices: Insights from the Rise of Romantic Love in Indonesia

机译:情感风格的创作和情感消费者实践:印度尼西亚浪漫爱情崛起的见解

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Prior work on emotions in marketing has created useful and visionary insights into a range of research areas, including emotional branding (e.g., Giesler 2012; Thompson, Rind-fleisch, and Arsel 2006), human-object relations (e.g., Batra, Ahuvia, and Bagozzi 2012; Fournier 1998), and the influence and measurement of emotions in consumer behavior (e.g., Maclnnis and de Mello 2005; Mogilner, Aaker, and Kamvar 2012; Richins 2013). However, this work has largely refrained from analyzing emotions as evolving phenomena and instead understood emotions as relatively stable and enduring characteristics of the consumer, thereby assuming that consumption ultimately reinforces prevailing emotional styles. Aiming to provide a theoretical corrective to this dominant perspective, this study addresses the issue of emotional change and the role the market therein and asks how new forms of emotionality are established. Needless to say, such change processes should matter to marketing because they interact with and may engender new consumption behaviors and market systems. Building on sociological and historical scholarship on emotions, I propose that the establishment of new forms of emotionality in consumer society can be understood as a socio-historical, market-mediated process of emotional style creation involving changing discourses of emotions and four emotional consumer practices - naming, communicating, regulating, and mobilizing.
机译:在营销中的情绪上的工作已经创造了一系列研究领域的有用和有远见的见解,包括情感品牌(例如,Giesler 2012; Thompson,Rind-Fleisch和Arsel 2006),人体关系(例如,Batra,Aubvia,和Bagozzi 2012; Fournier 1998),以及消费者行为中情绪的影响和测量(例如,Maclnnis和De Mello 2005; Mogilner,Aaker和Kamvar 2012; Richins 2013)。然而,这项工作在很大程度上没有分析了情绪作为不断变化的现象,而是理解的情绪是消费者的相对稳定和持久的特征,从而假设消耗最终增强了盛行的情绪风格。旨在为这一主导视角提供理论纠正,本研究解决了情绪变化的问题和市场在其中的角色,并询问了如何建立新的情绪形式。毋庸置疑,这种变化过程应该营销,因为他们与之互动,并可以发出新的消费行为和市场系统。建立社会学和历史奖学金对情感的奖学金,我建议在消费者社会中建立新形式的情感情绪,可以理解为社会历史,市场介导的情感风格的创作过程,涉及改变情绪的讨论和四种情绪消费者实践 - 命名,沟通,调节和动员。

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