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PROVIDING AUDIO DESIGN FOR PUBLIC ARTWORKS - COLLABORATING WITH ARTISTS AND THE CHANGING PUBLIC PERCEPTIONS OF THE AURAL ENVIRONMENT

机译:为公共艺术品提供音频设计 - 与艺术家合作以及不断变化对听觉环境的公众看法

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For many years, artworks have been used to help define the quality of the public spaces they reside in and, to some extent, help create. This now includes the aural urban environment, with the emergence and maturation of 'sound art' as a form of Installation Art, along with a growing awareness of the aesthetic environment in our daily lives. Acoustic designers who are passionate about the aural aesthetics they would create can benefit from the public profile that the right artwork can bring to the issue, and the artists can benefit creatively from tapping into sensitivities and allied skills of acoustic and audio designers. This paper attempts to illustrate what can be achieved collectively in collaborative teamwork between an artistic vision, a technological ambition and enough empathic overlap to achieve a valued outcome. Furthermore, when experiences can be offered that obviate the need for explanations, the clarity of communication achieved cannot be surpassed; if we see it, hear it, feel it, we will know it. To this end, there are collaborative methods that bring the projected aural experience into the artist's studio, or into another space for creativity.
机译:多年来,艺术品已被用来帮助定义他们所在的公共空间的质量,在某种程度上有助于创建。这现在包括听觉的城市环境,随着“声道艺术”的出现和成熟,作为一种安装艺术的形式,随着我们日常生活中审美环境的越来越意识。对听到的神秘美学的声学设计师可以从公共个人资料中受益,正确的艺术作品可以带来这个问题,艺术家可以创造性地利用进入声学和音频设计师的敏感和盟友技能。本文试图说明在艺术愿景,技术野心和足够的异常重叠之间的协同团队中可以集体统一实现的内容,以实现有价值的结果。此外,当能够提供避免对解释需要的经验时,无法超越所达到的通信的清晰度;如果我们看到它,听到它,觉得它,我们会知道。为此,有合作方法将预计的听觉体验带入艺术家的工作室,或进入另一个创造力的空间。

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