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Knife in hand: Science and vivisection in Norbert Wiener#039;s autobiography and short fiction

机译:手中的刀:诺伯特·维纳自传和短篇小说中的科学和活体解剖

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This paper investigates the image of vivisection in Wiener's autobiography and in his (for the most part unpublished) short fiction. These short stories, which are related to science, imaginary or real, and almost invariably feature scientists, can be considered as science fiction or, more precisely, detective science fiction. The image of cruelty and, more specifically, the image of vivisection appears regularly in Wiener's writings but it tends to be repressed, associated with guilt, or hidden under a different concern. It is only when Wiener writes fiction under his pseudonym, W. Norbert, that vivisections are operated with joy. Where does this image of vivisection come from? Can it be related to the cybernetic conceptual framework?
机译:本文研究了维纳自传及其短篇小说(大部分未出版)中活体解剖的图像。这些与科学有关的,虚构的或真实的,且几乎总是具有科学家特征的短篇小说,可以被视为科幻小说,或更准确地说,是侦探科幻小说。残酷的形象,更具体地说,是剖腹术的形象,在维纳的著作中经常出现,但往往会被压抑,内,或隐藏在不同的关注之下。只有当维纳以他的笔名W.诺伯特(W. Norbert)来写小说时,活体剖腹手术才是令人愉悦的。活体解剖的图像从何而来?它可以与控制论的概念框架相关吗?

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