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The unladylike ladies of roller derby? : how spectators, players and derby wives do and redo gender and heteronormativity in all-female roller derby

机译:滚筒德比的unladylike女士? :观众,球员和德比妻子如何做,并在所有女性轮滑德比中重做性别和异性恋

摘要

All-female roller derby is a rapidly growing full-contact sport played on quad roller skates, with a highly popularized punk, feminine, sexual and tough aesthetic. Utilising theories on the institution of heterosexuality, I conducted a qualitative study on all-female roller derby which evaluated the way in which derby aligns with or challenges heteronormativity. In order to approach this question, I analysed, firstly, thirty-eight interviews with spectators, and twelve with players about their interactions with spectators. Secondly, I interviewed twenty-six players about the phenomenon of “derby wives,” a term used to describe particular female friendships in roller derby. My findings relate the complex relationship between players and spectators by focusing on: (i) spectators’ interpretations of the dress, pseudonyms, and identities of players, as well as the ways in which they were actively involved in doing gender through their discussions of all-female, coed, and all-male roller derby; (ii) players’ descriptions of their interactions with spectators, family members, romantic partners, friends and strangers, regarding roller derby. Additionally, I address the reformulation of the role “wife” to meet the needs of female players within the community, and “derby wives” as an example of Adrienne Rich’s (1980) “lesbian continuum.” “Derby girls” are described as “super heroes” and “rock stars.” Their pseudonyms are believed to help them “transform” once they take to the track. Roller derby is seen as providing a venue to showcase women’s strength and new conceptualizations of femininity and motherhood. However, my findings also indicate that with its many challenges to gender stereotypes, heterosexuality and gender dualism are pervasive and evident in the sport. Even though derby has done much to expand gender expectations, these expectations have only been expanded; they are not diminished or eradicated. Despite this, through all-female roller derby, women are seen as acting in new, transformative ways.
机译:全女子轮滑德比是一项快速发展的全接触式运动,采用四轮溜冰鞋进行表演,具有高度流行的朋克,女性味,性爱和强硬的美感。利用关于异性恋制度的理论,我对全女性的罗勒德比进行了定性研究,评估了德比与异性的一致性或挑战性的方法。为了解决这个问题,我首先分析了对观众的38次采访,对与选手的12次访谈。其次,我采访了二十六个球员,讨论了“德比妻子”现象,这个术语用来形容路辗德比中特定的女性友谊。我的发现集中在以下方面,将玩家与观众之间的复杂关系联系起来:(i)观众对球员的着装,化名和身份的解释,以及他们通过与所有人的讨论积极参与性别的方式-女,男女同校和全男的德比; (ii)玩家对他们与观众,家庭成员,浪漫伴侣,朋友和陌生人的互动的描述,涉及轮滑德比。此外,我将重新定义“妻子”的角色以满足社会上女性玩家的需求,并以“德比妻子”为例,以Adrienne Rich(1980年)的“女同性恋连续体”为例。 “德比女孩”被描述为“超级英雄”和“摇滚明星”。据信,他们的化名可以帮助他们“走上正轨”。 Roller derby被视为提供展示女性力量以及女性气质和母性的新概念的场所。但是,我的发现还表明,异性恋和性别二重性在对性别刻板印象的诸多挑战中普遍存在,并且在这项运动中显而易见。尽管德比在扩大性别期望方面做了很多工作,但这些期望只是在扩大;它们没有减少或消除。尽管如此,通过全女性的德比舞,女性被视为以崭新的,变革性的方式行事。

著录项

  • 作者

    Murray Megan Geneva;

  • 作者单位
  • 年度 2012
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
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