Континуальна та просторова візія хронотопу дому-дерева у романі «Фріда» Марини Гримичud(CONTINUUM AND SPATIAL IMAGE OF THE CHRONOTOPE OF THE HOUSE-TREE IN THE NOVEL «FRIDA» MARINA GRIMICH)

摘要

Роботу присвячено дослідженню проблеми часу і простору в романі «Фріда» Марини Гримич. Розглянуто категорію хронотопу в його співвіднесеності з часопростором через призму філософського, психологічного та культурного сприйняття у межах одного тексту. Хронотоп Дому осмислено як контитуальну та просторову ознаку тексту. Психологізацію середовища потрактовано як одну з форм образного узагальнення. З’ясовано значення зовнішнього топосу у відображенні внутрішнього простору героїні. ud(The work is devoted to the study the problems of time and space in the novel «Frida» by Marina Grimich. The category of the chronotope is considered through the prism of philosophical, psychological and cultural perceptions within the same text.udThe chronotope is used to denote holistically unified concept, where there is a dominant one of these forms (with M.Bakhtin).udIt focuses on the topos of the Ukrainian town with a specific rhythm of life that is not only spatial background of events, but also versatile backdrop aimed inside himself. Psychologica environment is interpreted as a form of imaginative synthesis where space is constructed by the writer in the system of conflicts. Where is used the stream of character’s consciousness inudinternal monologues, dreams, letters, lost documents, retrospective plans of image.udThe full interdependence of temporal and spatial interpretation and psychological sensations of time and space the main character have been discovered, which is always localized in the space of the House. The feature of the topos that gets symptomsudalumninet and becomes a carrier of existential-life reflection of the character has been investigated. It was found that art topos becomes a place of rapid change of events and forms chronotope experiences. It have been discovered the chronotope of the House contributes to the formation of the overall structure of the novel and has a metaphorical coloring the top – bottom, Heaven – Earth – Hell.udAccented that the art world in the novel «Frida» by Marina Grimich is an «encrypted» ontologically-existential modelof the universe, where available tragic conflict of the ideal and the reality. Investigated continually and spatial vision of the chronotope as an expression of individual style of the author.)