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Collaborative digital and wide format printing : methods and considerations for the artist and master printer

机译:协作数字和宽幅打印:艺术家和主打印机的方法和注意事项

摘要

This thesis investigates the collaborative production of fine art digital prints for artists,a process which is used by many contemporary practitioners including Richard Hamilton and Damien Hirst. Digital print as a fine art process has emerged over the last twenty years, and as yet, there is no in depth evidence on the collaborative endeavour and production process which is central to the digital Master Printer’s role. The investigation first establishes the historical context and significance of the Master and Printer in traditional printmaking, and the more recent development of the digital print studio and the digital print pioneers of the 1990s. A series of seven artists’ case studies in the context of the collaborative digital print studio are then offered to demonstrate the working process. The analysis of these proposes a best practice model for Master Printers working with contemporary artists to produce high quality, fine art, wide format inkjet digital prints. The study also compares production methods at the cutting-edge digital facility of the Rijksakademie in The Netherlands, to assess the validity of the practices proposed through a facility closest to the study’s research base at the CFPR’s digital studio. The comparative study also explored the expanding digital production process and the role of the Master Printer. Evolving production processes are also considered in this study as a response to the advancement of digital print technology alongside a practical exploration of what actually constitutes a digital print in this rapidly expanding field of fine art printmaking. This study aims to reveal the inner workings of the digital collaborative process between the artist and Master Printer, and appraise the digital Master Printer’s role. It offers a set of best practice methods for the digital Master Printer developed from this research. The study also considers how the digital print, and the digital print studio may evolve in line with current and future developments in new technologies.
机译:本文研究了为艺术家而制作的数字艺术版画的协同生产,这一过程被许多当代从业者使用,包括理查德·汉密尔顿和达米安·赫斯特。在过去的20年中,数字印刷已成为一种美术工艺,但是到目前为止,还没有深入的证据表明协作努力和生产过程对于数字主打印机的作用至关重要。该调查首先确定了母版和打印机在传统版画中的历史背景和意义,以及数字印刷工作室和1990年代数字印刷先驱的最新发展。然后,在协作数字印刷工作室的背景下,提供了一系列针对七个艺术家的案例研究,以展示其工作过程。对这些内容的分析为Master Printers与当代艺术家合作生产高质量,精美的美术,大幅面喷墨数字印刷品提供了最佳实践模型。这项研究还比较了荷兰Rijksakademie的尖端数字设施中的生产方法,以评估通过最接近CFPR数字工作室研究基地的设施提出的实践的有效性。对比研究还探讨了扩展的数字化生产过程以及主打印机的作用。在这项研究中,不断发展的生产过程也被认为是对数字印刷技术发展的一种回应,同时对在这个迅速扩展的美术印刷领域中实际构成数字印刷品进行了实际探索。这项研究旨在揭示艺术家与Master Printer之间的数字协作过程的内部工作,并评估Digital Master Printer的角色。它为根据本研究开发的数字主打印机提供了一组最佳实践方法。该研究还考虑了数字印刷品和数字印刷工作室如何随着新技术的当前和未来发展而发展。

著录项

  • 作者

    Laidler Paul Anthony;

  • 作者单位
  • 年度 2011
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类

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