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Isang Yun's Duo for Viola and Piano (1976): A Synthesis of Eastern Music Concepts With Western Music Techniques

机译:Isang Yun的中提琴和钢琴二重奏(1976):东方音乐概念与西方音乐技术的综合

摘要

Isang Yun is one of the most significant figures in Korean music of the twentieth century. He moved beyond serialism, founding his musical resources in Korean traditional music as well as in Taoism. Yun created unique sound which has resemblance to Korean traditional music particularly in ornaments through Western instrumentation and musical techniques. Consequently, Yun invented his own main tone technique, and its distinctive Koran sound separated him from other important avant-garde composers of the twentieth century. In this thesis Yun's life is introduced as a strong influence on his compositional styles. Also, his compositional styles are placed within the larger context of twentieth century musical trends, which shows why his works are important in twentieth century music history. Most importantly, it demonstrates that the idiosyncratic style of Isang Yun's Duo for Viola and Piano results from a blending of Eastern and Western musical elements. For this reason, in this document I will analyze and examine the Duo for Viola and Piano, and explain how Yun translated Eastern musical concepts into Western musical techniques.
机译:Isang Yun是20世纪韩国音乐界最重要的人物之一。他超越了串行主义,在韩国传统音乐以及道教中建立了自己的音乐资源。 Yun创造了与韩国传统音乐相似的独特声音,尤其是通过西方乐器和音乐技巧在装饰品上。因此,Yun发明了自己的主要音色技术,其独特的古兰经音色将他与20世纪其他重要的前卫作曲家分开。在这篇论文中,介绍了云的生活对他的作曲风格产生了深远的影响。此外,他的作曲风格被置于20世纪音乐潮流的更大范围内,这说明了他的作品为何在20世纪音乐史上很重要。最重要的是,它证明了Isang Yun的中提琴和钢琴二重奏风格是东方和西方音乐元素融合而成的。因此,在本文档中,我将分析和研究中提琴和钢琴二重奏,并解释Yun如何将东方音乐概念转化为西方音乐技术。

著录项

  • 作者

    Kim Junghyun;

  • 作者单位
  • 年度 2007
  • 总页数
  • 原文格式 PDF
  • 正文语种 EN
  • 中图分类

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