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National and Minority Cultures in 21st Century France: North African and Pied-Noir Cultural Associations

机译:21世纪法国的民族和少数民族文化:北非和黑皮诺文化协会

摘要

Social conflict is common in many nations around the world. Tensions often arise from cultural misunderstandings and disagreements over national and group membership in multicultural populations. France offers a particularly clear example of such unrest. As a contemporary multi-ethnic, multicultural nation, France advocates both the belief in universal human rights as well as assimilationist policies designed to create a singular majority culture. North African immigrants and Pied-Noir repatriates are two groups at the center of recent debate in France. Both have historical ties to colonial French North Africa, but now reside within the modern French state. Each offers a unique case study of alternative strategies related to cultural negotiation and social tension as both groups currently demand recognition as French citizens and minorities. This dissertation analyses how North African and Pied-Noir minority communities in France engage discourses of history, culture, and identity to create a hospitable place for themselves in the French nation by redefining themselves both as minorities and as active citizens. One primary mechanism through which these groups achieve these goals is cultural associations, or social clubs. Cultural associations were legalized in 1901 and have not yet found a well-established role in France. Minorities use this institutional fluidity to develop concurrently their national and minority identities. Within such associations, they develop performances for both minority and outside audiences, engage contemporary French understandings of "culture," and acquire attention and resources needed to enact social change. One of the recurring tropes in such performances is the display of minority history and the role minorities play in French history. Through analysis of such activities this dissertation argues that these groups create new conceptions of national membership through their assertion of their right to be members in the French nation while retaining their cultural difference.
机译:社会冲突在世界许多国家都很普遍。紧张局势常常是由于文化上的误解和对多元文化人口中国家和团体成员身份的分歧而引起的。法国提供了这种动乱的一个特别明显的例子。作为当代的多民族,多文化国家,法国既主张对普遍人权的信仰,也主张旨在创建单一多数文化的同化政策。北非移民和黑皮德(Pied-Noir)遣返者是法国近期辩论的两个中心。两者都与法国北部非洲殖民地有历史联系,但现在居住在法国现代国家内部。每个组织都提供与文化谈判和社会紧张局势有关的替代策略的独特案例研究,因为这两个群体目前都要求承认其为法国公民和少数群体。本文分析了法国的北非和黑皮诺族少数群体如何通过重新定义少数民族和活跃公民的身份,利用历史,文化和身份的话语在法国民族中创造一个好客的地方。这些团体实现这些目标的一种主要机制是文化协会或社交俱乐部。文化协会于1901年合法化,但尚未在法国找到根深蒂固的角色。少数民族利用这种制度流动性来同时发展其民族和少数族裔身份。在这样的协会中,他们为少数群体和外部听众开发表演,吸收当代法国人对“文化”的理解,并获得进行社会变革所需的关注和资源。这类表演中经常出现的对白之一是对少数民族历史的展示以及少数民族在法国历史中的作用。通过对此类活动的分析,本文认为,这些群体通过主张其在法兰西国家的会员权,同时保留其文化差异,创立了新的国民身份概念。

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    Phaneuf Victoria M.;

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  • 年度 2012
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