首页> 外文OA文献 >Fostering New Spaces: Challenging Dominant Constructions of Power and Knowledge in Early Childhood Art Education
【2h】

Fostering New Spaces: Challenging Dominant Constructions of Power and Knowledge in Early Childhood Art Education

机译:培育新空间:在幼儿美术教育中挑战性的权力和知识建构

摘要

Within this dissertation I discuss my experience as both teacher and researcher in an early childhood art education research project with the goal to challenge traditional conceptions of power and knowledge in work with young children. Inspired initially by the idea of reactivating children's traditionally subjugated knowledges, in this research I aimed to foster a space where children and adults could ethically collaborate in art, making, and research. Over the course of 10 weeks, this art classroom was built as a space created for children, grounded in notions of change, movement, trust, and respect. The children were not only encouraged to create their own opportunities for making, and also to challenge what it means to exist and make in the early childhood art classroom by engaging in play, exploration, and collaborations with adults. In what follows, I share some of the children’s words and work in order to make their experience in this classroom space visible. Both their artworks and experiences are analyzed through various theoretical lenses, including theories surrounding nomadism and movement, ethical encounters, collaborations between adults and children, and chaos theory in play. Ultimately, I argue that challenging conventional understandings of power, authority, and knowledge in the art classroom demands resistance from both adults and children. However, this resistance is coupled with a responsibility for educators to listen deeply to what their students both want and need, and to embrace curricular spaces that welcome the unknown. Throughout this dissertation it is my hope to present new and different ways of being and engaging with young children in spaces of art education.
机译:在这篇论文中,我讨论了我在幼儿艺术教育研究项目中作为老师和研究员的经历,目的是挑战与幼儿一起工作的传统的权力和知识观念。最初受到重新激发儿童传统上被征服的知识的启发,在这项研究中,我旨在营造一个空间,让儿童和成人可以在艺术,制作和研究方面进行道德合作。在10周的时间里,这个艺术教室的建立是为儿童创造的空间,立足于变化,运动,信任和尊重的观念。不仅鼓励孩子们创造自己的制作机会,而且通过与成年人玩耍,探索和合作,挑战幼儿美术教室中生存和创造的意义。接下来,我分享一些孩子的话语和工作,以使他们在这个教室里的经历更清晰可见。他们的作品和经历都通过各种理论视角进行了分析,包括围绕游牧和运动的理论,道德遭遇,成人与儿童之间的合作以及游戏中的混沌理论。最终,我认为,挑战传统的艺术课堂对权力,权威和知识的传统理解需要成年人和儿童的抵制。但是,这种抵制与教育工作者有责任深入听取学生的需求和需求,并欢迎那些欢迎未知事物的课程空间。在整篇论文中,我希望提出在美术教育领域中与幼儿互动的新的和不同的方式。

著录项

  • 作者

    Cinquemani Shana;

  • 作者单位
  • 年度 2017
  • 总页数
  • 原文格式 PDF
  • 正文语种 en_US
  • 中图分类

相似文献

  • 外文文献
  • 中文文献
  • 专利

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号