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The intermediate and advanced piano music of Dmitry Kabalevsky: pedagogical implications

机译:德米特里·卡巴列夫斯基的中高级钢琴音乐:教学意义

摘要

This study investigates the intermediate and advanced piano repertoire of 20th Century Russian composer, Dmitry Borisovich Kabalevsky, with the main focus being on the artistic and pedagogical relevance of these works.ududBackground details of the composer's life, as they pertain to these works and to his style of composition, were gathered through a review of the literature found in books, doctoral theses, encyclopedias, journal articles and programme notes accompanying compact disc recordings and editions of his music.ududA selection of Kabalevsky's intermediate and advanced piano compositions was chosen for an in-depth analysis of their artistic, technical and pedagogical aspects. A broad examination of their structure is also made. The works selected for analysis include Concerto No. 2 in G minor Op. 23, Numbers 1,2,3,4,6 and 24 from Twenty-Four Preludes Op. 38 and Sonata No. 2 in E flat major Op. 45. ududIn order to gauge both the level of awareness and usage of Kabalevsky's piano repertoire, two written surveys were formulated and issued to teachers and performers within Australia. The first of these (Survey A) was distributed to private studio teachers, most of whom were teaching at an elementary and intermediate level, whilst the second one (Survey B) was sent to teachers who were likely to have had experience in teaching and/or performing more advanced works. ududIn order to determine the frequency with which Kabalevksy's piano works are set for examinations, a review of various syllabuses, including the Australian Music Examination Board (AMEB), Trinity College of London and Austrlaina and New Zealand Cultural Arts Limited (ANZCA), was undertaken. These findings, together with the results of the surveys (which include comments made by a number of teachers/performers within Australia about a selection of these pieces) and the researcher's in-depth analyses, were all considered in ascertaining the usage and level of awareness of Kabalevsky's intermediate and advanced piano repertoire within Australia and the artistic and pedagogical contribution of these works. ududThe in-depth analyses of a selection of Kabalevsky's intermediate and advanced piano works revealed that Kabalevsky made a worthy contribution to the piano literature of this standard, and that these works are also of considerable pedagogical value. ududThe feedback from the surveys revealed that whilst most of the respondents had a high repect and regard for Kabalevsky's elementary piano compositions, the usage and familiarity with his intermediate and advanced works was significantly less. Many of the factors suggested for the lack of awareness of this repertoire were extraneous to the merits of the pieces themselves and, hence, it is hoped that a greater awareness of its existence and an appreciation of the artistic and pedagogical contribution of this literature, will bring it to the attention of students, teachers and performers alike.udud
机译:这项研究调查了20世纪俄罗斯作曲家Dmitry Borisovich Kabalevsky的中级和高级钢琴曲目,主要侧重于这些作品的艺术和教学意义。 ud ud与这些作品相关的作曲家生活的背景细节通过对书中的文献,博士论文,百科全书,期刊文章和带有光盘唱片和音乐版本的节目注释进行回顾,收集并总结出他的作曲风格。 ud ud选择了Kabalevsky的中级和高级钢琴选择这些作品是为了对其艺术,技术和教学方面进行深入分析。还对其结构进行了广泛的检查。选定进行分析的作品包括G小调作品中的第二协奏曲。 23,数字1,2,3,4,6和24从二十四前奏作品。 E大调作品38和奏鸣曲2号45.为了评估Kabalevsky钢琴曲目的认知度和使用程度,制定了两项书面调查表,并分发给了澳大利亚的教师和表演者。其中第一个(调查A)分发给了私人工作室老师,其中大多数人是在初级和中级教学,而第二个(调查B)被分发给了可能具有教学和/或经验的老师或执行更高级的作品。 ud ud为了确定设置Kabalevksy钢琴作品进行考试的频率,对各种教学大纲进行了审查,包括澳大利亚音乐考试委员会(AMEB),伦敦三一学院和Austrlaina和新西兰文化艺术有限公司(ANZCA)进行。这些发现以及调查的结果(包括澳大利亚境内许多教师/表演者对这些作品的选择发表的评论)以及研究人员的深入分析,都被用来确定认知的使用和水平。卡巴列夫斯基在澳大利亚境内的中级和高级钢琴曲目,以及这些作品的艺术和教学意义。 ud ud对卡巴列夫斯基的中,高级钢琴作品的精选进行的深入分析表明,卡巴列夫斯基对这一标准的钢琴文学做出了值得的贡献,而且这些作品也具有相当的教学价值。调查的反馈表明,尽管大多数受访者对Kabalevsky的基本钢琴作品都具有很高的尊重和重视,但对他的中级和高级作品的使用和熟悉程度却大大降低。缺乏对曲目的了解所建议的许多因素都与作品本身的优点无关,因此,希望人们对其作品的存在有更多的了解,并对这些文学作品的艺术性和教学性的欣赏表示赞赏。引起学生,老师和表演者的注意。 ud ud

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