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Who invented the bronze drum? Nationalism, politics, and a Sino-Vietnamese archaeological debate of the 1970s and 1980s

机译:谁发明了铜鼓?民族主义,政治以及1970年代和1980年代的中越考古学辩论

摘要

This paper reviews the Sino-Vietnamese archaeological debate of the 1970s and 1980s pertaining to the origins of the bronze drum, specifically analyzing how nationalism and international politics had an impact on both the questions posed by archaeologists as well as the answers they provided to these questions. Based on a reading of the major works on the bronze drum published in Viet Nam and China since the 1950s, particularly those published in the 1970s and 1980s, this paper argues that the debate between Chinese and Vietnamese archaeologists on the origins of the bronze drum in general, and the dating, classification, and interpretations of the decorations of the bronze drum in particular, had many of its origins in the political and military conflicts between the two countries, to the extent that an individual archaeologistu27s views of certain issues were largely determined by his nationality. KEYWORDS: archaeology, bronze drum, China, nationalism, Viet Nam.
机译:本文回顾了1970年代和1980年代有关青铜鼓起源的中越考古学辩论,特别分析了民族主义和国际政治如何对考古学家提出的问题以及他们对这些问题的回答产生了影响。根据对1950年代以来在越南和中国出版的有关青铜鼓的主要作品的阅读,尤其是在1970年代和1980年代出版的作品的基础上,本文认为,中国和越南考古学家之间就青铜鼓的起源进行了辩论。一般而言,尤其是青铜鼓装饰的年代,分类和解释,其许多渊源是两国之间的政治和军事冲突,某种程度上是考古学家对某些问题的看法是在很大程度上取决于他的国籍。关键词:考古学,青铜鼓,中国,民族主义,越南。

著录项

  • 作者

    HAN Xiaorong;

  • 作者单位
  • 年度 2004
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
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