Pierre Guariche designer-architecte d'intérieur (1926-1995) et les nouveaux programmes architecturaux issus de la croissance

摘要

This thesis puts forward a monographic approach to the career of Peter Guariche, designer-creator of French interior designer assemblies. The "Glorious thirty" represent a decisive turning point for this professional because they coincide with the beginning of industrialization in the furniture sector. The historical and political context explains his involveruent in the creation of full programs of articles intended to furnish standardized Reconstruction housing. He realizes that the mass production furniture, produced by industrial processes and at reasonable prices, can solve the effects of the failure of the policy of the French state, To adjust his "modem" furniture in the plan-type, it is inspired by the production of Arnerican designers and creates innovative standardized and rational objects on a technical and aesthetical level. ln 1954, he solicits Michel Mortier and Joseph-André Motte and creates with them L'Atelier de Recherches Plastiques. They understand that ail three young designers must unite around a common project: promoting their mass production furniture with manufacturers. Thereafter. each of them takes their independence and takes back their respective work. The ncw professional guidance of Pierre Guariche offers him the opportunity to collaborate on original interior architectural programs. stemming from the land use policy. This thesis deals with the social, political and economic contexts in which he practices, but also the facts and actors. which open up future areas to explore in the history of French design