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Denominational Reception of Literary Modernity in Hungary Before 1920

机译:1920年之前匈牙利文学现代性的分支招待会

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摘要

Christian denominations generally viewed the social and ideological changes that occurred throughout the nineteenth century as crises and therefore perceived modern literature as a manifestation of decadence. Due to their diverse rootedness within Hungary’s social and political life, each denomination reacted distinctively to the phenomena of the modern. This paper describes the different reactions of the Catholic and Protestant Churches and examines their social background by analyzing the denominational and literary conditions of Hungary at the end of the nineteenth and the beginning of the twentieth century. Obviously, both the Catholic and Protestant Churches needed to modernize their social and cultural institutions in order to regain their former social bases: until 1920, however, this effort yielded no valuable results, primarily because their attempts to create a denominational version of modern literature was subordinated to the requirements of religious morality and thus was not capable of achieving artistic autonomy.
机译:基督徒的面额普遍浏览了整个十九世纪作为危机的社会和思想变化,因此认为现代文学作为颓废的表现。由于他们在匈牙利的社会和政治生活中的不同根源,每个面额都与现代的现象鲜明作出反应。本文介绍了天主教和新教教堂的不同反应,并通过分析十九世纪末和二十世纪初的匈牙利的分支和文学条件来检查他们的社会背景。显然,天主教和新教教会都需要使他们的社会和文化机构现代化,以恢复其前的社会基础:直到1920年,这种努力没有产生有价值的结果,主要是因为他们试图创造一个人的现代文学的教派版本从属于宗教道德的要求,因此无法实现艺术自治。

著录项

  • 作者

    Zoltán Szénási;

  • 作者单位
  • 年度 2018
  • 总页数
  • 原文格式 PDF
  • 正文语种 eng;hun
  • 中图分类

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