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The unusual symmetry of musicians: musicians have equilateral interhemispheric transfer for visual information.

机译:音乐家的不同寻常的对称性:音乐家具有半边际半球形的传递,以获取视觉信息。

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摘要

Previous behavioural research has shown that spatial attention is bilaterally represented in musicians, possibly reflecting more equal neural development between the hemispheres. We investigated this theory electrophysiologically with another measure that has shown asymmetry, interhemispheric transfer time (IHTT). Sixteen right-handed musicians and 16 matched non-musicians responded to stimuli presented to the left and right visual fields while 128-channel EEG was recorded. IHTT was calculated by comparing the latencies of occipital N1 components between hemispheres. Non-musicians showed significantly faster IHTT in the right-to-left direction than in the left-to-right direction and a shorter N1 latency in the left than in the right hemisphere. In contrast, the musician group showed no directional difference between hemispheres in IHTT, and no hemispheric difference in latency. These results indicate that musicians have more bilateral neural connectivity than non-musicians, reflected in an unusual lackof asymmetry. It is suggested that plastic developmental changes caused by extended musical training in childhood result in equally efficient connections to both hemispheres.
机译:先前的行为研究表明,音乐家的注意力集中在空间的两侧,这可能反映了半球之间更平等的神经发育。我们用另一种方法显示了不对称性,即半球间转移时间(IHTT),从电生理角度研究了这一理论。 16位右撇子音乐家和16位相配的非音乐家对记录在128通道EEG上的左右视野的刺激做出了反应。通过比较半球之间枕骨N1成分的潜伏期来计算IHTT。非音乐人在左右方向上的IHTT显着快于在左右方向上的IHTT,左手的N1潜伏期短于右半球。相反,音乐家组在IHTT的半球之间没有方向差异,在潜伏期也没有半球差异。这些结果表明,与非音乐家相比,音乐家具有更多的双边神经连通性,这反映出异常的非对称性缺失。有人认为,儿童时期音乐训练的扩展引起的塑性发展变化会导致与两个半球的连接效率相同。

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